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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

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00:01:39,350 --> 00:01:41,268
IT'S AGAINST ALL DECENCY,
MR. MILLER,

4
00:01:41,352 --> 00:01:43,354
TO ALLOW DIRT LIKE THIS
IN YOUR NEWSPAPER,

5
00:01:43,437 --> 00:01:45,688
I DEMAND THAT SOMETHING
BE DONE ABOUT IT!

6
00:01:45,772 --> 00:01:48,317
IT
<i> IS </i>
PRETTY ROUGH,
BUT I JUST GOT BACK
FROM EUROPE.

7
00:01:48,400 --> 00:01:50,735
IT TAKES A WHILE
TO GET AROUND TO THINGS.

8
00:01:50,819 --> 00:01:53,655
YOU CAN'T
GET AROUND TO THIS THING
ANY TOO FAST.

9
00:01:53,738 --> 00:01:57,159
I WAS THE ONLY ONE
IN THE HOUSE THAT LOOKED
AT THE MORNING PAPER,

10
00:01:57,243 --> 00:01:59,619
BUT SINCE YOU'VE BEEN
RUNNING THIS FILTH
ABOUT BLESSED EVENTS,

11
00:01:59,702 --> 00:02:01,746
MY WIFE
AND 2 DAUGHTERS--
EVEN MY MAID--

12
00:02:01,830 --> 00:02:03,665
MAKE A BEELINE
FOR THAT PAPER.

13
00:02:03,748 --> 00:02:05,750
IT SHOULDN'T BE ALLOWED
IN RESPECTABLE HOMES.

14
00:02:05,834 --> 00:02:09,796
WHERE I COME FROM, WE'D TAKE
A MAN LIKE MR. MOXLEY AND
RIDE HIM OUT OF TOWN!

15
00:02:09,879 --> 00:02:13,007
I DON'T KNOW WHAT'S COME
OVER HIM, BUT I'LL
TALK WITH HIM.

16
00:02:13,091 --> 00:02:14,676
[BUZZ]

17
00:02:14,759 --> 00:02:15,969
YES, MR. MILLER?

18
00:02:16,052 --> 00:02:17,637
TELL MOXLEY
I WANT TO SEE HIM.

19
00:02:17,720 --> 00:02:19,431
MR. MOXLEY'S
ON HIS VACATION.

20
00:02:19,515 --> 00:02:22,351
THERE. YOU SEE?
I KNEW IT DIDN'T
SOUND LIKE MOXLEY,

21
00:02:22,434 --> 00:02:24,727
BUT I'M GLAD YOU
CALLED MY ATTENTION
TO THIS.

22
00:02:24,811 --> 00:02:27,565
I'LL FIND OUT WHO'S
RUNNING THAT COLUMN,
AND HE'LL HEAR FROM ME.

23
00:02:27,647 --> 00:02:28,690
THANK YOU, SIR.
THANK YOU.

24
00:02:35,322 --> 00:02:37,366
[BUZZ]

25
00:02:41,995 --> 00:02:43,581
ANYONE ELSE WAITING?

26
00:02:43,663 --> 00:02:45,999
A WHOLE OFFICE FULL,
AND THEY ALL HAVE KICKS
TO REGISTER

27
00:02:46,082 --> 00:02:47,418
ABOUT THAT COLUMN.

28
00:02:47,501 --> 00:02:50,003
SAY, WHO'S WRITING
THIS DYNAMITE?

29
00:02:50,086 --> 00:02:51,838
A YOUNG KID
FROM THE ADVERTISING
DEPARTMENT.

30
00:02:51,921 --> 00:02:53,299
HIS NAME
IS ALVIN ROBERTS.

31
00:02:54,090 --> 00:02:55,842
[SLOW TYPING]

32
00:02:58,052 --> 00:03:00,431
WE'LL BOTH SAVE TIME
IF YOU DICTATE.

33
00:03:00,514 --> 00:03:02,600
I'M NO GOOD
AT DICTATING.

34
00:03:02,682 --> 00:03:05,311
WHAT ARE YOU GOOD AT?
YOU'RE CERTAINLY
NO GOOD AT TYPING.

35
00:03:06,895 --> 00:03:09,648
I'D BE IF I COULD
FIND THE "H."
WHERE'S THE "H"?

36
00:03:09,731 --> 00:03:12,568
Q, W, E, R--NEVER MIND.
I GOT IT.

37
00:03:12,651 --> 00:03:15,487
OH, NUTS.
WHERE'S THE "X"?

38
00:03:15,571 --> 00:03:17,071
WHAT DO YOU WANT
WITH "X"?

39
00:03:17,155 --> 00:03:18,948
I WANT TO "X" OUT
THAT LAST WORD.

40
00:03:19,032 --> 00:03:22,369
OH, COME ON.
LET ME TAKE IT.

41
00:03:22,453 --> 00:03:23,454
WHAT DO YOU GOT?

42
00:03:23,537 --> 00:03:24,538
A BLESSED EVENT.

43
00:03:24,622 --> 00:03:25,788
NOT ANOTHER!

44
00:03:25,872 --> 00:03:28,292
SURE. HOT! BUSINESS
IS PICKING UP.

45
00:03:28,375 --> 00:03:30,835
YOU WIN, MR. ROBERTS.
PROCEED WITH
THE OBSTETRICS.

46
00:03:30,919 --> 00:03:33,589
HUH? I GET IT.
HA HA!

47
00:03:33,672 --> 00:03:36,925
"THE THOMAS H."--AND PUT
IN PARENTHESIS, THE WAY I DO--

48
00:03:37,008 --> 00:03:40,011
"(LEHIGH STEEL) CORRIGANS,
WHO WERE SO QUIETLY MARRIED
LATE THIS SUMMER,

49
00:03:40,094 --> 00:03:41,888
ANTICIPATE
A BLESSED EVENT--"

50
00:03:41,971 --> 00:03:44,015
DASH DASH--"IN OCTOBER."

51
00:03:44,098 --> 00:03:46,310
AND PUT A LOT OF
EXCLAMATION POINTS AFTER IT.

52
00:03:46,393 --> 00:03:47,852
SAY, YOU CAN'T
PRINT THAT.

53
00:03:47,936 --> 00:03:48,853
WHY NOT?

54
00:03:48,937 --> 00:03:50,272
WELL...

55
00:03:50,356 --> 00:03:52,608
I KNOW. LET THE CORRIGANS
WORRY ABOUT THAT.

56
00:03:52,691 --> 00:03:55,402
KEEP IT UP! I'M JUST
WAITING FOR MR. MOXLEY
TO GET BACK.

57
00:03:55,486 --> 00:03:57,529
THINK HE'S
GOING TO BE SORE?

58
00:03:57,613 --> 00:04:00,366
NO. HE'LL LOVE THESE
LETTERS FROM PEOPLE
WHO'RE GONNA BEAT HIM UP.

59
00:04:00,449 --> 00:04:02,534
THOSE ARE FROM BUNNY HARMON
AND HIS PUBLIC.

60
00:04:02,618 --> 00:04:05,954
IF MOXLEY ALLOW,
I COULD DIG UP PLENTY
OF DIRT ON THAT MUG.

61
00:04:06,037 --> 00:04:07,872
WHAT DO YOU GOT
AGAINST BUNNY HARMON?

62
00:04:07,956 --> 00:04:10,083
HE'S A CROONER, AIN'T HE?
YEAH!

63
00:04:10,166 --> 00:04:13,671
AIN'T THAT ENOUGH? BESIDES,
I'LL NEVER FORGET THE TIME
HE GETS ME CANNED FROM WNYN.

64
00:04:13,753 --> 00:04:16,047
MY MOTHER ALMOST
STARVES TO DEATH
FOR 2 WEEKS

65
00:04:16,130 --> 00:04:19,092
UNTIL I GET A JOB
IN THE AD DEPARTMENT
ON THE
<i> EXPRESS. </i>

66
00:04:19,175 --> 00:04:20,843
I SEE. A ROBERTS
NEVER FORGETS.

67
00:04:20,927 --> 00:04:24,682
YOU'RE DOGGONE RIGHT.
IF I EVER GET THAT GUY
ALONE SOMETIME--

68
00:04:24,764 --> 00:04:26,224
HELLO.

69
00:04:26,308 --> 00:04:28,184
YEAH, HE IS.

70
00:04:28,267 --> 00:04:31,104
YEAH, I'LL TELL HIM,
MISS SLOAN. GOOD-BYE.

71
00:04:31,187 --> 00:04:31,938
FOR ME?

72
00:04:32,021 --> 00:04:33,649
IT CERTAINLY WAS.

73
00:04:33,732 --> 00:04:36,067
MR. MILLER WOULD
LIKE TO SEE YOU
IN 15 MINUTES.

74
00:04:36,150 --> 00:04:37,653
WONDER WHAT HE WANTS.

75
00:04:37,736 --> 00:04:39,655
I DON'T KNOW.
SOMETHING TELLS ME,
ALVIN,

76
00:04:39,738 --> 00:04:42,491
YOU'RE NOT GOING TO
BE WITH US
MUCH LONGER.

77
00:04:42,574 --> 00:04:46,537
I WORKED FOR 3 YEARS
TO GET MYSELF UP
TO 35 BUCKS A WEEK.

78
00:04:46,620 --> 00:04:50,457
HA HA! NO, NO NO.
MOXLEY WOULDN'T LET
THEM TIE THE CAN ON ME.

79
00:04:50,541 --> 00:04:53,876
THE LAST THING MR. MOXLEY
TOLD YOU WAS TO LAY OFF
THOSE BIRTH ITEMS.

80
00:04:53,960 --> 00:04:56,630
COULD I HELP IT?
I HAD TO FILL UP
THE COLUMN.

81
00:04:56,714 --> 00:04:58,965
ALL I'M DOING
IS GET THE DIRT
ON SOMEBODY.

82
00:04:59,048 --> 00:05:01,092
YEAH,
SO I'VE NOTICED.

83
00:05:01,175 --> 00:05:05,054
WELL, I THINK I'LL GO DOWN
TO THE COMPOSING ROOM
AND SEE HOW THIS STUFF LOOKS.

84
00:05:05,138 --> 00:05:07,056
YOU'RE NOT REALLY
GOING TO RUN THAT?

85
00:05:07,140 --> 00:05:09,809
SURE! THIS MAY BE
MY LAST COLUMN.

86
00:05:09,892 --> 00:05:12,228
I GOT TO HAVE A PUNCH LINE
FOR THE TOP.

87
00:05:14,690 --> 00:05:16,941
SAY, MISS PRICE,
I'M ALVIN ROBERTS,

88
00:05:17,025 --> 00:05:18,652
THE GUY WHO'S
SUBBING FOR MOXLEY.

89
00:05:18,736 --> 00:05:20,862
SOMEDAY, WHEN YOU'VE
GOT TIME, I'D LIKE
YOUR EXPERT OPINION.

90
00:05:20,945 --> 00:05:22,406
ALRIGHT.

91
00:05:22,489 --> 00:05:24,491
I'VE BEEN
READING YOUR CHATTER
FOR A LONG TIME,

92
00:05:24,575 --> 00:05:26,242
I THINK
EVERYTHING YOU WRITE
IS GREAT.

93
00:05:26,325 --> 00:05:28,244
OH, THANKS.
DO YOU EVER READ MY STUFF?

94
00:05:28,327 --> 00:05:29,496
YES.

95
00:05:29,580 --> 00:05:31,749
THAT'S WHAT I WANTED
TO ASK. HONEST, NOW.

96
00:05:31,831 --> 00:05:33,916
JUST WHAT DO YOU
THINK OF IT?

97
00:05:34,000 --> 00:05:36,169
WELL, NOW THAT
YOU ASK ME,

98
00:05:36,252 --> 00:05:39,881
I'D PUT IT IN
ABOUT THE SAME CLASS
AS COLLECTING GARBAGE.

99
00:05:44,969 --> 00:05:46,764
HELLO, STEVIE.
HELLO, GLADYS.

100
00:05:46,846 --> 00:05:48,474
WHEN DOES
GEORGE GET BACK?

101
00:05:48,557 --> 00:05:51,393
EXPECT HIM BY
END OF WEEK,
IF I LIVE THAT LONG.

102
00:05:51,477 --> 00:05:53,853
RAN ONTO A YARN
ABOUT CONY BENNET
AND LILLY TASHMAN

103
00:05:53,936 --> 00:05:56,898
THAT I THOUGHT HE
COULD USE, UNLESS YOU
WANNA RUN IT SOONER.

104
00:05:56,981 --> 00:05:59,275
NO! IF THIS FOOL
ROBERTS GOT HOLD OF IT,

105
00:05:59,358 --> 00:06:01,487
HE'D HAVE THEM
WITH TWINS
FOR THE EARLY EDITION.

106
00:06:01,570 --> 00:06:03,822
WHY'D THEY LET HIM
TAKE OVER THE COLUMN?

107
00:06:03,905 --> 00:06:06,492
HE WAS ALWAYS RUNNING UP
FROM THE AD DEPARTMENT
WITH ITEMS,

108
00:06:06,575 --> 00:06:08,326
SOME OF THEM
PRETTY GOOD,

109
00:06:08,410 --> 00:06:11,037
SO MOXLEY GAVE HIM
A CHANCE TO SHOW
WHAT HE COULD DO.

110
00:06:11,120 --> 00:06:13,289
NOBODY EVER DREAMED
HE'D RUN WILD.

111
00:06:13,372 --> 00:06:15,667
GEORGE WILL
WANNA KILL HIM
WHEN HE FINDS OUT.

112
00:06:15,751 --> 00:06:18,837
HE'S NOT THE ONLY ONE.
THERE'S A LOT OF
COMPETITION FOR THE JOB.

113
00:06:18,920 --> 00:06:21,214
WHAT DO YOU SUPPOSE
THOSE GUYS WANTED TO DO?

114
00:06:21,297 --> 00:06:22,882
PUT QUESTION MARKS
AFTER THAT CORRIGAN
BIRTH ITEM

115
00:06:22,965 --> 00:06:24,676
INSTEAD OF
EXCLAMATION POINTS.

116
00:06:24,760 --> 00:06:27,220
MAYBE THEY THOUGHT
YOU MADE A MISTAKE
IN THE MONTH.

117
00:06:27,303 --> 00:06:28,971
YOU HAVEN'T MET
MISS PRICE,
HAVE YOU?

118
00:06:29,055 --> 00:06:30,348
THIS IS
ALVIN ROBERTS,
GLADYS.

119
00:06:30,432 --> 00:06:32,308
OH, YES.
WE'VE ALREADY MET.

120
00:06:41,693 --> 00:06:45,113
HEY. LOOKS LIKE
KING'S STOREHOUSE
AFTER THE BLIZZARD.

121
00:06:45,196 --> 00:06:48,407
LOOK WHO'S HERE!
WELCOME HOME.
HOW ARE YOU, GEORGE?

122
00:06:48,492 --> 00:06:51,077
H-H-H-HAVE
A NICE TRIP?

123
00:06:51,160 --> 00:06:53,371
WHAT HAVE YOU
BEEN DOING TO
MY COLUMN?

124
00:06:53,455 --> 00:06:55,582
I TELL YOU, MR. MOXLEY,
IT'S THIS WAY--

125
00:06:55,666 --> 00:06:58,417
I TOLD YOU TO LAY OFF
THAT STUFF ABOUT
WOMEN HAVING KIDS?

126
00:06:58,502 --> 00:07:00,462
I INVENTED A NEW WAY
OF SAYING IT.

127
00:07:00,546 --> 00:07:01,963
WHAT NEW WAY?

128
00:07:02,046 --> 00:07:03,674
"ANTICIPATES
A BLESSED EVENT."

129
00:07:03,757 --> 00:07:05,925
SO YOU
INVENTED THAT, EH?

130
00:07:06,008 --> 00:07:08,386
WELL, I READ IT SOMEWHERE,
AND I REMEMBERED IT.

131
00:07:08,470 --> 00:07:10,096
Sarcastically:
YOU DID?

132
00:07:10,179 --> 00:07:11,640
YEAH.

133
00:07:11,723 --> 00:07:14,016
STEVIE, YOU WERE HERE.
WHY DIDN'T YOU STOP HIM?

134
00:07:14,100 --> 00:07:16,936
I TRIED TO EVERY DAY,
BUT HE WOULDN'T
LISTEN TO ME.

135
00:07:17,019 --> 00:07:19,147
WHAT HAVE WE GOT
A MANAGING EDITOR FOR?

136
00:07:19,230 --> 00:07:21,149
DOESN'T HE KNOW
THE LIBEL LAWS?

137
00:07:21,232 --> 00:07:23,485
IT'S A WONDER WE HAVEN'T
BEEN SUED BEFORE THIS!

138
00:07:23,569 --> 00:07:24,903
WE HAVE.
TWICE THIS WEEK.

139
00:07:24,986 --> 00:07:26,572
WHAT?!

140
00:07:26,655 --> 00:07:29,908
THEY CAN'T COLLECT.
HA HA! I GOT THE DOPE
ON THEM BOTH.

141
00:07:29,991 --> 00:07:33,369
HAVE YOU GONE CRAZY,
USING MY COLUMN TO PRINT
A LOT OF DIRTY STORIES?

142
00:07:33,452 --> 00:07:35,497
I'VE A MIND
TO SOCK YOU
IN THE NOSE.

143
00:07:35,581 --> 00:07:36,790
GOOD EVENING.

144
00:07:36,874 --> 00:07:38,124
HOW ARE YOU, MR. MILLER?

145
00:07:38,207 --> 00:07:39,125
YOU'VE BEEN AWAY,
HAVEN'T YOU?

146
00:07:39,208 --> 00:07:40,878
YES. I JUST
GOT IN.

147
00:07:40,960 --> 00:07:43,171
IS THIS THE MAN
THAT'S BEEN RUNNING
YOUR COLUMN?

148
00:07:43,254 --> 00:07:45,799
HE HAS.
OH, YES. MR. ROBERTSON,

149
00:07:45,883 --> 00:07:46,966
ROBERTS.

150
00:07:47,049 --> 00:07:49,010
SOLICITOR
IN THE WANT ADS.

151
00:07:49,093 --> 00:07:52,096
I KNOW. THEY'LL
HAVE TO GET ALONG
WITHOUT HIM.

152
00:07:52,180 --> 00:07:54,933
IF IT'S ON ACCOUNT
OF THOSE LIBEL SUITS,
I'VE GOT PROOF!

153
00:07:55,016 --> 00:07:57,226
THAT'S ALRIGHT,
MY BOY.

154
00:07:57,310 --> 00:07:59,228
MOXLEY,
I'VE BEEN THINKING
FOR SOME TIME

155
00:07:59,312 --> 00:08:02,023
THAT YOU'RE TOO GOOD
TO BE WASTED
ON THIS COLUMN.

156
00:08:02,106 --> 00:08:04,651
I'VE GOT A SERIES
OF SUNDAY STORIES
IN MIND

157
00:08:04,735 --> 00:08:06,945
THAT OUGHT TO BE
RIGHT UP YOUR ALLEY

158
00:08:07,028 --> 00:08:09,823
AND A CHANCE TO DO
SOMETHING BIG.

159
00:08:09,907 --> 00:08:12,158
WELL, WHO'S GOING TO
HOLD DOWN THIS JOB?

160
00:08:12,241 --> 00:08:14,118
WE FIGURED ROBERTS
HAS BEEN DOING ALRIGHT.

161
00:08:14,202 --> 00:08:15,537
YOU LIKE IT,
MR. MILLER?

162
00:08:15,621 --> 00:08:17,873
IN A WAY.
BUT SOME OF IT'S BAD!

163
00:08:17,956 --> 00:08:21,668
IF I HAD THE COLUMN REGULAR,
I COULD CUT OUT THOSE
BLESSED EVENTS AND STUFF.

164
00:08:21,752 --> 00:08:24,045
THAT'S JUST WHAT
I DON'T WANT YOU TO DO.
TOMORROW'S COLUMN?

165
00:08:24,128 --> 00:08:25,463
YES.

166
00:08:25,547 --> 00:08:27,340
"THE THOMAS H.
(LEHIGH STEEL) CORRIGANS,

167
00:08:27,423 --> 00:08:29,383
"WHO WERE MARRIED SO QUIETLY
LATE THIS SUMMER,

168
00:08:29,467 --> 00:08:32,428
ANTICIPATE A BLESSED EVENT
IN OCTOBER!"

169
00:08:32,511 --> 00:08:35,933
HOLY SMOKE! THAT'LL
RAISE THE DEVIL IN SOUTHAMPTON.

170
00:08:36,015 --> 00:08:38,727
BUT THAT'S ALRIGHT.
GIVE US MORE OF THAT.

171
00:08:38,810 --> 00:08:41,395
WE'LL CHANGE THE NAME
OF THIS COLUMN FROM
"BROADWAY HIGH-LIGHTS"

172
00:08:41,479 --> 00:08:42,814
TO "SPILLING THE DIRT."

173
00:08:42,898 --> 00:08:44,566
YOU'D PUT MY NAME ON IT?
CERTAINLY.

174
00:08:44,650 --> 00:08:46,568
THAT'S WONDERFUL!
THAT'S ALRIGHT, MY BOY.

175
00:08:46,652 --> 00:08:49,403
THE JOB'S YOURS,
AND THE SALARY IS
$50 A WEEK.

176
00:08:49,487 --> 00:08:51,530
THAT'S ALL?
WHAT'S THE MATTER?
DON'T YOU WANT IT?

177
00:08:51,615 --> 00:08:53,282
YES, SIR!
THANK YOU,
MR. MILLER.

178
00:08:53,366 --> 00:08:55,326
I'VE JUST BEEN
TELLING MR. MILLER,

179
00:08:55,409 --> 00:08:57,328
I THINK
YOU'VE HIT ON
SOMETHING BIG.

180
00:08:57,411 --> 00:08:59,665
WHY, OUR CIRCULATION
HAS JUMPED UP
15.000--

181
00:08:59,748 --> 00:09:02,458
THERE'S NO WAY OF TELLING
WHAT THAT COMES FROM,
HANSON.

182
00:09:02,541 --> 00:09:04,377
GIVING ROBERTS THE COLUMN
IS PURELY AN EXPERIMENT.

183
00:09:04,460 --> 00:09:05,837
YES, SIR.

184
00:09:05,921 --> 00:09:08,172
WE'LL HOPE THAT IT
TURNS OUT FOR THE BEST.

185
00:09:08,256 --> 00:09:12,176
MR. MILLER, HE GOT US INTO
2 LIBEL SUITS THIS WEEK!

186
00:09:12,260 --> 00:09:14,638
THAT'S ALRIGHT.
ANYBODY CAN BE
SUED FOR LIBEL.

187
00:09:14,721 --> 00:09:17,390
COME TO THE OFFICE,
AND WE'LL TALK OVER
THOSE SUNDAY FEATURES.

188
00:09:17,473 --> 00:09:19,517
WANT YOU
TO DO SOMETHING
OUT OF THE ORDINARY,

189
00:09:19,601 --> 00:09:23,772
SOMETHING DISTINCTIVE,
SOMETHING THAT'S UNUSUAL.

190
00:09:23,855 --> 00:09:26,065
ALRIGHT.
I'LL GO OUT
AND GET DRUNK.

191
00:09:30,111 --> 00:09:32,656
GOING TO WISH ME LUCK?
I DON'T HAVE TO.

192
00:09:32,739 --> 00:09:35,324
YOU MUST HAVE BEEN BORN
WITH A HORSESHOE
AROUND YOUR NECK.

193
00:09:39,621 --> 00:09:42,498
COME ON. COME ON. COME ON.
WHERE ARE YOU?

194
00:09:42,581 --> 00:09:44,710
REGION 4-5000.

195
00:09:49,463 --> 00:09:52,550
TAKE THIS, STEVENS.
WHEN I SNAP MY FINGERS,
I MEAN PARENTHESIS.

196
00:09:52,634 --> 00:09:55,303
"THE FOLLOWING ANTICIPATE
BLESSED EVENTS:

197
00:09:55,386 --> 00:09:58,139
"MR. AND MRS. LOUIS
(ART GALLERY) SCHOENBERG,

198
00:09:58,222 --> 00:10:00,642
"THE COUNTESS GRACE
(VANDERPOOL) VALLENBOY,

199
00:10:00,726 --> 00:10:02,226
MR. AND MRS.
GEORGE CARFIELD JR.--"

200
00:10:02,310 --> 00:10:03,227
HELLO.

201
00:10:03,311 --> 00:10:05,022
GENERAL MATERNITY
HOSPITAL.

202
00:10:05,104 --> 00:10:07,481
CONNECT ME WITH MISS GREENE
IN THE MATERNITY WARD.

203
00:10:07,565 --> 00:10:09,860
[RING]

204
00:10:09,943 --> 00:10:11,569
HELLO?

205
00:10:11,653 --> 00:10:15,073
HELLO, SUGAR. THIS IS ALVIN.
I GOT THAT JOB REGULAR.

206
00:10:15,156 --> 00:10:16,867
OOH, THAT'S FINE.

207
00:10:16,950 --> 00:10:18,617
THE SAME ARRANGEMENTS
STILL GO.

208
00:10:18,702 --> 00:10:21,620
$1.00 APIECE
FOR ALL I CAN USE,

209
00:10:21,705 --> 00:10:25,333
BUT I WANT THE NAMES
THE VERY MINUTE
THEY BOOK THE ROOMS.

210
00:10:25,416 --> 00:10:27,002
YOU GOT IT.

211
00:10:50,067 --> 00:10:50,984
[RING]

212
00:10:51,068 --> 00:10:53,361
MR. ROBERTS' OFFICE.

213
00:10:53,444 --> 00:10:55,072
NO, NOT YET.

214
00:10:55,154 --> 00:10:57,365
YOU MIGHT TRY HIM
IN AN HOUR. OKAY.

215
00:10:57,448 --> 00:10:58,491
[HANGS UP TELEPHONE]

216
00:11:00,659 --> 00:11:03,371
OH...

217
00:11:03,454 --> 00:11:05,623
MR. ROBERTS?

218
00:11:05,707 --> 00:11:08,292
YOU MEAN,
MY--MY ASSISTANT?

219
00:11:08,376 --> 00:11:10,378
IS HE REALLY
YOUR ASSISTANT?

220
00:11:10,461 --> 00:11:12,756
SURE. WHAT DID YOU
WANT TO SEE HIM ABOUT?

221
00:11:12,839 --> 00:11:14,716
I WANNA GET
AN INTERVIEW
WITH HIM.

222
00:11:14,800 --> 00:11:17,218
O.K., BABE. STICK AROUND.
I'LL FIX IT UP.

223
00:11:17,301 --> 00:11:19,220
EDDIE, YOU CAN GO
FOR THE MAIL NOW.

224
00:11:19,303 --> 00:11:21,056
YES, MA'AM.

225
00:11:21,139 --> 00:11:24,225
THIS LADY WOULD LIKE
TO SEE MR. ROBERTS.
WHEN DO YOU EXPECT HIM?

226
00:11:24,308 --> 00:11:26,560
AFTER A YEAR WITH MR. ROBERTS,
I EXPECT ANYTHING.

227
00:11:26,644 --> 00:11:27,979
WHERE ARE YOU FROM?

228
00:11:28,063 --> 00:11:29,522
JEFFERSON
HIGH SCHOOL.

229
00:11:29,605 --> 00:11:32,525
WHAT DO YOU WANT
TO INTERVIEW MR. ROBERTS
ABOUT?

230
00:11:32,608 --> 00:11:36,029
HOW HE LIVES
AND WHERE HE GOES
AND WHAT HE THINKS ABOUT.

231
00:11:36,113 --> 00:11:40,574
MY DEAR, YOU THINK
THEY WOULD PRINT THAT
IN A HIGH-SCHOOL PAPER?

232
00:11:40,658 --> 00:11:42,201
[RING]

233
00:11:44,037 --> 00:11:47,082
MR. ROBERTS' OFFICE.
NO, MADAM. HE ISN'T IN.

234
00:11:47,165 --> 00:11:50,961
OH, YOU'RE NOT A MADAM?
WELL, I COULDN'T TELL
FROM HERE.

235
00:11:51,044 --> 00:11:53,212
NO, MR. ROBERTS DOESN'T
SEND OUT ANY PHOTOGRAPHS.

236
00:11:53,295 --> 00:11:55,673
WHAT DO
<i> YOU </i>
LOOK LIKE?
OH, YOU DO?

237
00:11:55,757 --> 00:11:58,844
WHY DON'T YOU SEND HIM ONE?
GOOD-BYE.

238
00:11:58,927 --> 00:12:01,554
[RING]

239
00:12:01,637 --> 00:12:03,849
MR. ROBERTS?
NO, HE'S NOT IN.

240
00:12:03,932 --> 00:12:05,934
TRY THE SPEAKEASY
ON 57th STREET.

241
00:12:06,017 --> 00:12:07,351
ROBERTS IN YET?

242
00:12:07,435 --> 00:12:08,937
BACK THERE.
WHERE?

243
00:12:09,020 --> 00:12:10,772
HIDING
IN THE KEYHOLE.

244
00:12:10,856 --> 00:12:12,273
LISTEN, I'M SERIOUS!

245
00:12:12,356 --> 00:12:14,275
I KNOW.
I WAS SERIOUS
MYSELF ONCE,

246
00:12:14,358 --> 00:12:16,527
AND THEN ALVIN
CAME INTO MY LIFE.

247
00:12:16,610 --> 00:12:19,738
NOW I LAUGH
THE LIVELONG DAY.
HEE HEE HEE!

248
00:12:19,823 --> 00:12:21,783
WHEN DO YOU EXPECT
MR. ROBERTS?

249
00:12:21,867 --> 00:12:23,869
IT MAY BE DAYS,
WEEKS OR YEARS.

250
00:12:23,952 --> 00:12:24,953
I WOULDN'T WAIT.

251
00:12:25,036 --> 00:12:26,328
I'LL COME BACK
LATER.

252
00:12:26,412 --> 00:12:28,372
[RING]

253
00:12:28,456 --> 00:12:30,666
MR. ROBERTS' OFFICE.
GUS BERNSTEIN?

254
00:12:30,749 --> 00:12:32,626
SURE, SEND IT IN.
HE'D LOVE IT.

255
00:12:32,710 --> 00:12:34,963
GUS BERNSTEIN'S
WRITTEN A NEW
SONG ENTITLED

256
00:12:35,046 --> 00:12:37,883
<i> I'LL TELL IT </i>
<i> TO
ALVIN ROBERTS 'CAUSE
I WANT THE WORLD TO KNOW. </i>

257
00:12:37,966 --> 00:12:39,801
ALVIN OUGHT TO
GO FOR THAT.

258
00:12:39,885 --> 00:12:41,803
[RING]

259
00:12:41,887 --> 00:12:44,555
THESE PHONES ARE LIKE
TENNYSON'S BROOK.
THEY GO ON FOREVER.

260
00:12:44,638 --> 00:12:47,308
MR. ROBERTS' OFFICE.
YOU WANT TO SEE MR. ROBERTS?

261
00:12:47,391 --> 00:12:49,811
OH, YOU WANT TO
<i> SUE </i>
MR. ROBERTS.

262
00:12:49,895 --> 00:12:51,813
THE LINE FORMS ON THE LEFT.

263
00:12:51,897 --> 00:12:53,564
[RING]
[RING]

264
00:12:53,647 --> 00:12:54,565
[RING]

265
00:12:54,648 --> 00:12:55,566
[RING]

266
00:12:55,649 --> 00:12:58,277
[RING]

267
00:12:58,360 --> 00:13:00,654
MR. ROBERTS' OFFICE.

268
00:13:00,738 --> 00:13:02,364
HE'S NOT IN.

269
00:13:02,448 --> 00:13:03,449
HELLO, STEVIE.

270
00:13:03,532 --> 00:13:05,827
I GOT A HOT ONE
FOR THE COLUMN.

271
00:13:05,911 --> 00:13:08,246
SO YOU'RE
A STOOL PIGEON
FOR ALVIN, TOO?

272
00:13:08,329 --> 00:13:10,207
IT ALL HELPS CIRCULATION.

273
00:13:10,289 --> 00:13:13,292
THERE'S A DOORMAN AT THE
CLUB ROMANOV WHO'S REALLY
GENERAL VASELAVICH.

274
00:13:13,375 --> 00:13:15,753
USED TO BE A BIG SHOT
IN THE RUSSIAN ARMY.

275
00:13:15,837 --> 00:13:18,173
DIDN'T THEY HAVE
ANY PRIVATES
IN THE RUSSIAN ARMY?

276
00:13:18,256 --> 00:13:19,423
THEY MUST HAVE.

277
00:13:22,635 --> 00:13:24,137
WHERE'S ROBERTS?

278
00:13:24,221 --> 00:13:26,555
HE PHONED HE OVERSLEPT
A LITTLE THIS MORNING.

279
00:13:26,639 --> 00:13:28,766
MORNING? WHY,
IT'S NEARLY 5:00.

280
00:13:28,850 --> 00:13:30,559
IT'S STILL MORNING
TO HIM.

281
00:13:30,643 --> 00:13:33,271
THE MINUTE ROBERTS GETS IN,
TELL HIM I WANT TO SEE HIM.

282
00:13:33,354 --> 00:13:35,273
DID YOU HAVE
AN APPOINTMENT, CHIEF?

283
00:13:35,356 --> 00:13:37,650
AN APPOINTMENT?
WITH WHO?

284
00:13:37,733 --> 00:13:41,737
WITH MR. ROBERTS.
I UNDERSTAND IT'S
A NEW RULE AROUND HERE.

285
00:13:41,820 --> 00:13:45,616
THERE'S GOING TO BE
A NEW RULE AROUND HERE,
BUT
<i> I'M </i>
GOING TO MAKE IT.

286
00:13:45,699 --> 00:13:49,328
MOXLEY, HOW'S
THE NEW PET DEPARTMENT
GETTING ALONG?

287
00:13:49,411 --> 00:13:52,958
GREAT. TOMORROW
I'M RUNNING AN INTERVIEW
WITH A FLEA

288
00:13:53,041 --> 00:13:55,459
AND HOW HE GOT RID
OF HIS DOGS.

289
00:13:55,543 --> 00:13:58,754
YOU MEAN, HOW A DOG
GOT RID OF HIS FLEAS.

290
00:13:58,837 --> 00:14:01,715
NO. I'M SAVING THAT
FOR NEXT WEEK.

291
00:14:01,799 --> 00:14:04,802
MOXLEY, YOU'VE GOT
A GREAT OPPORTUNITY
TO BUILD UP CIRCULATION.

292
00:14:04,886 --> 00:14:07,388
THERE ARE MILLIONS
OF PEOPLE WITH PETS.

293
00:14:07,471 --> 00:14:10,058
THERE ARE MILLIONS OF PEOPLE
WITH BALD HEADS, TOO.

294
00:14:10,141 --> 00:14:12,393
COULDN'T I BE
THE DANDRUFF EDITOR?

295
00:14:14,312 --> 00:14:15,981
[RING]

296
00:14:16,064 --> 00:14:18,649
HELLO?
NO, MR. ROBERTS
HASN'T COME IN YET.

297
00:14:18,732 --> 00:14:21,443
YEAH, HE RUNS POETRY,
THOUGH I DON'T KNOW WHY.

298
00:14:23,113 --> 00:14:25,115
MR. ROBERTS?
YEAH?

299
00:14:25,198 --> 00:14:27,366
I WON'T TAKE UP
MUCH TIME.

300
00:14:27,449 --> 00:14:30,161
I'M ON THE STAFF OF
OUR HIGH-SCHOOL PAPER,
I'D LIKE AN INTERVIEW.

301
00:14:30,245 --> 00:14:32,038
COME BACK SATURDAY
AT 6:00.

302
00:14:32,122 --> 00:14:33,872
SATURDAY AT 6:00?
THANK YOU, MR. ROBERTS.

303
00:14:33,957 --> 00:14:35,292
DON'T MENTION IT.

304
00:14:35,374 --> 00:14:37,294
Stevens: SATURDAY'S
YOUR DAY OFF.

305
00:14:37,376 --> 00:14:39,296
YOU'RE TELLING ME.
WHO WAS THAT KID?

306
00:14:39,378 --> 00:14:41,298
ONE OF YOUR ADMIRERS
FROM HIGH SCHOOL.

307
00:14:41,380 --> 00:14:43,300
WE HAD ONE YESTERDAY
FROM KINDERGARTEN.

308
00:14:43,382 --> 00:14:45,176
WHAT DO YOU KNOW
THAT I DON'T?

309
00:14:45,260 --> 00:14:46,885
THE BOSS WANTS
TO SEE YOU.

310
00:14:46,970 --> 00:14:49,638
LET HIM WAIT.
I
<i> GOT </i>
TO HAVE
A PUNCH LINE.

311
00:14:49,722 --> 00:14:51,682
DIDN'T YOU GET
ANYTHING LAST NIGHT?

312
00:14:51,765 --> 00:14:54,019
SURE, I GOT SOMETHING.
I GOT A HANGOVER.

313
00:14:54,102 --> 00:14:57,563
I MUST HAVE BEEN IN 15
NIGHTCLUBS, AND NOTHING
HAPPENS, NOT EVEN A RAID.

314
00:14:57,646 --> 00:15:00,066
LOOK. 500 SMACKERS
FROM CAMPUS HUMOR
FOR 3 HOURS' WORK.

315
00:15:00,150 --> 00:15:02,110
WHAT OTHER EGG
IS DRAGGING THAT DOWN?

316
00:15:02,193 --> 00:15:05,196
AND I GOT 1.000 BUCKS FOR
MY RADIO TALK LAST NIGHT.

317
00:15:05,280 --> 00:15:06,614
THAT'S MORE THAN
AMOS and ANDY GET.

318
00:15:06,697 --> 00:15:08,199
AND THEY'VE
TO BLACK UP, TOO.

319
00:15:08,283 --> 00:15:10,994
NO. THEY JUST
TALK THAT WAY.

320
00:15:11,077 --> 00:15:12,703
ANY OTHER MESSAGES?

321
00:15:12,786 --> 00:15:15,456
NOT THAT I KNOW OF.
OH, YEAH!
I ALMOST FORGOT.

322
00:15:15,539 --> 00:15:18,626
MRS. SADYE MOSKOWITZ
OF 4268 BRIGGS AVENUE,
THE BRONX,

323
00:15:18,709 --> 00:15:20,003
IS EXPECTING A BABY.

324
00:15:20,086 --> 00:15:21,004
WHO?

325
00:15:21,087 --> 00:15:22,838
MRS. SADYE
MOSKOWITZ.

326
00:15:22,921 --> 00:15:24,423
[BRONX ACCENT]
SADYE WITH A "Y."

327
00:15:24,506 --> 00:15:26,800
I MIGHT RUN IT.
IT MIGHT BE A LAUGH.

328
00:15:26,884 --> 00:15:29,511
NOT WITH MR. MOSKOWITZ.
I BET HE BUYS 50 COPIES.

329
00:15:29,595 --> 00:15:31,973
WE COULD GET IT SYNDICATED
IN ALL THE JEWISH PAPERS.

330
00:15:32,057 --> 00:15:34,392
YOU KNOW HOW MANY JEWS
THERE ARE IN NEW YORK?

331
00:15:34,475 --> 00:15:35,809
MUST BE DOZENS.

332
00:15:35,893 --> 00:15:38,021
COME ON. I KNOW THAT MANY
PERSONALLY.

333
00:15:39,855 --> 00:15:41,399
TAKE THIS, STEVENS.

334
00:15:41,482 --> 00:15:45,070
"MRS. SADYE MOSKOWITZ
OF 4268 BRIGGS AVENUE,
THE BRONX,

335
00:15:45,153 --> 00:15:46,988
IS PREPARING
HER SEVENTH BASSINET."

336
00:15:47,072 --> 00:15:49,115
HMM. HER HUSBAND.

337
00:15:49,199 --> 00:15:53,286
"HER HUSBAND JOE MOSKOWITZ
SAYS,
<i> WHAT DO YOU MEAN, </i>
<i> UNEMPLOYMENT?" </i>

338
00:15:53,370 --> 00:15:55,246
OH, ANY NEW
LIBEL SUITS TODAY?

339
00:15:55,330 --> 00:15:56,373
ONE THREATENED.

340
00:15:56,455 --> 00:15:58,707
ONE? I MUST BE SLIPPING.
WHO IS IT?

341
00:15:58,791 --> 00:16:01,169
THE CAMPUS NIGHTCLUB.
THEY'RE SORE BECAUSE
YOU KNOCKED THEIR BEER.

342
00:16:01,252 --> 00:16:04,005
I ONLY SAID
IT LOOKED OUT OF PLACE
IN A STEIN.

343
00:16:04,089 --> 00:16:05,964
HERE'S SOMETHING
THAT MIGHT
CHEER YOUR DAY--

344
00:16:06,049 --> 00:16:07,800
AN EDITORIAL ABOUT YOU
IN THE
<i> EVENING STAR. </i>

345
00:16:07,883 --> 00:16:08,926
A BOOST, HUH?

346
00:16:09,010 --> 00:16:10,387
BOOST IS HARDLY
THE WORD.

347
00:16:10,469 --> 00:16:12,471
OH, A RAZZ?
SEE HOW IT STRIKES YOU.

348
00:16:12,554 --> 00:16:15,100
"TABLOID JOURNALISM
AT ITS WORST."

349
00:16:15,183 --> 00:16:16,850
WHAT'S IT ABOUT?
READ IT.

350
00:16:16,934 --> 00:16:19,104
I CAN'T.
IT AIN'T ENGLISH.

351
00:16:19,187 --> 00:16:21,605
"AMERICAN JOURNALISM
HAS PASSED THROUGH
SOME SORDID PHASES,

352
00:16:21,689 --> 00:16:24,650
BUT MR. ROBERTS ACHIEVES
THE ABSOLUTE NADIR."

353
00:16:24,733 --> 00:16:25,818
NADIR? WHAT'S A NADIR?

354
00:16:25,901 --> 00:16:27,028
SEARCH ME.

355
00:16:27,112 --> 00:16:29,822
LOOK IT UP. NADIR.
N-A-D-I-R.

356
00:16:29,905 --> 00:16:33,159
"IF YOUR WIFE IS TO HAVE
THE SACRED EXPERIENCE
OF MOTHERHOOD,

357
00:16:33,243 --> 00:16:37,080
"MR. ROBERTS PREDICTS
THE DAY AND THE HOUR
FOR THE PUBLIC'S AMUSEMENT.

358
00:16:37,163 --> 00:16:39,290
"PRESENTLY,
IT IS NOT IMPOSSIBLE

359
00:16:39,374 --> 00:16:42,918
HE WILL BE GIVING
THE FULL CIRCUMSTANCES
OF THE CONCEPTION."

360
00:16:43,001 --> 00:16:45,296
I'LL GET THOSE GUYS
IF IT TAKES 10 YEARS!

361
00:16:45,380 --> 00:16:49,007
HERE YOU ARE.
"NADIR. LOWEST POINT.
LESS THAN NOTHING."

362
00:16:49,092 --> 00:16:51,469
SO THAT'S WHAT I AM?
A NADIR? I'LL SHOW THEM.

363
00:16:51,552 --> 00:16:53,011
IT COMES FROM
THE ARABIAN.

364
00:16:53,096 --> 00:16:54,680
I TOLD YOU
IT WASN'T ENGLISH.

365
00:16:54,763 --> 00:16:56,932
SO I'M AN ARABIAN NADIR.
THAT'S WHAT I AM.

366
00:16:57,015 --> 00:16:58,559
I WOULDN'T
WORRY ABOUT IT.

367
00:16:58,642 --> 00:17:01,520
WHO'S WORRYING?
HERE I AM DRAGGING
DOWN $90.000 A YEAR

368
00:17:01,603 --> 00:17:03,939
FROM MY COLUMN,
MY SYNDICATE STUFF,
MY RADIO TALKS.

369
00:17:04,022 --> 00:17:07,068
I SHOULD CARE WHAT
A $100-A-WEEK EDITORIAL WRITER
SAYS ABOUT ME?

370
00:17:07,152 --> 00:17:08,486
SURE. WHY SHOULD YOU?

371
00:17:08,569 --> 00:17:10,447
I'M GONNA FIND OUT
WHO WROTE THAT.

372
00:17:10,529 --> 00:17:12,906
IF HE EVER DID ANYTHING,
IF HIS MOTHER
DID ANYTHING,

373
00:17:12,990 --> 00:17:15,826
IF HIS
<i> GRANDMOTHER </i>
EVER DID ANYTHING,
THE PUBLIC'S GOING TO KNOW.

374
00:17:15,909 --> 00:17:18,537
THINK I'LL SUE HIM FOR LIBEL.
I WOULDN'T DO THAT.

375
00:17:18,620 --> 00:17:21,374
PEOPLE ARE ALWAYS SUING ME.
I CAN SUE SOMEBODY FOR A CHANGE.

376
00:17:21,458 --> 00:17:23,126
I'M A NADIR.
HA HA!

377
00:17:23,209 --> 00:17:25,170
WHAT ARE THESE?

378
00:17:25,253 --> 00:17:27,588
BUNNY HARMON MAIL
FROM WOMEN ASKING YOU
TO STOP KNOCKING HIM.

379
00:17:27,671 --> 00:17:29,548
HOW MANY?
39.

380
00:17:29,631 --> 00:17:32,634
9 MORE THAN YESTERDAY.
WHY DO THEY FALL FOR
THAT PANSY?

381
00:17:32,718 --> 00:17:34,803
OH, HE'S NOT BAD.

382
00:17:34,887 --> 00:17:37,515
THINK I'LL TAKE
ANOTHER CRACK AT HIM.
TAKE THIS, STEVIE.

383
00:17:37,598 --> 00:17:41,227
"BUNNY HARMON, THE WELL-KNOWN
MEGAPHONY, IS SAID TO BE
THE ABSOLUTE NADIR--"

384
00:17:41,311 --> 00:17:42,603
HUH?

385
00:17:42,686 --> 00:17:45,564
NADIR. WRITE IT DOWN.
YOU HEARD ME. N-A-D-I-R.

386
00:17:45,647 --> 00:17:46,982
"...OF AMERICAN
SAXOPHONISTS."

387
00:17:47,065 --> 00:17:48,984
THAT OUGHT TO BRING IN
A COUPLE MORE LETTERS.

388
00:17:49,067 --> 00:17:50,694
IT WILL.

389
00:17:50,778 --> 00:17:53,448
WHERE ARE THE EVENING PAPERS?
THE BOY HASN'T BROUGHT THEM YET.

390
00:17:53,531 --> 00:17:56,074
GET THEM FOR ME.
SOMETIMES THERE'S
SOMETHING IN THEM.

391
00:17:56,159 --> 00:17:59,537
O.K. CAN I RUN DOWN
TO THE DRY CLEANERS
BEFORE IT CLOSES?

392
00:17:59,620 --> 00:18:01,079
SURE. GO AHEAD.

393
00:18:01,164 --> 00:18:03,249
[HUMMING]

394
00:18:08,171 --> 00:18:10,047
TAKE THIS, STEVIE--OH.

395
00:18:12,758 --> 00:18:14,676
"TRY A HURRICANE COCKTAIL--

396
00:18:14,760 --> 00:18:17,514
"ONE PART GIN,
ONE PART TOMATO JUICE,
AND ONE PART CHAMPAGNE--

397
00:18:17,596 --> 00:18:19,681
"AND YOU'LL NEVER KNOW
THERE WAS A DEPRESSION.

398
00:18:19,765 --> 00:18:22,560
THE HOWARD"--MMM.

399
00:18:22,643 --> 00:18:25,146
GET ME THE HOTEL MAYFIELD,
BABY. RIGHT.

400
00:18:26,688 --> 00:18:28,982
"THE HOWARD
(BETTY BARNS) UPDYKES

401
00:18:29,066 --> 00:18:32,027
HAVE PHFFT."
P-H-F-F-T.

402
00:18:32,110 --> 00:18:34,029
[RING]

403
00:18:34,112 --> 00:18:36,533
YEAH? LET ME HAVE
CONSTANCE CONNER'S ROOM, PLEASE.

404
00:18:36,615 --> 00:18:38,742
THANKS.

405
00:18:38,826 --> 00:18:40,661
"IT'LL BE A B--

406
00:18:40,744 --> 00:18:43,914
IT'LL BE A BOY
AT THE REGINALD TAYLORS
ON FIFTH AVENUE."

407
00:18:43,997 --> 00:18:45,333
PERIOD.

408
00:18:45,416 --> 00:18:48,043
"THEY CAN TELL
BY THE HEARTBEATS, YOU DOPE."

409
00:18:49,711 --> 00:18:51,339
HELLO. HELLO,
CONSTANCE CONNER?

410
00:18:52,423 --> 00:18:54,132
YES?

411
00:18:54,217 --> 00:18:57,135
UMM...THIS IS
THE HOUSE DETECTIVE.

412
00:18:57,220 --> 00:19:00,013
YOU'LL HAVE TO GET
THAT MAN OUT OF YOUR ROOM
RIGHT AWAY.

413
00:19:00,097 --> 00:19:03,309
WHY, THE IDEA!
THERE'S NO MAN
IN MY ROOM.

414
00:19:03,393 --> 00:19:05,353
OH, YES, THERE IS.

415
00:19:05,436 --> 00:19:07,272
WILL YOU GIVE ME
5 MINUTES?

416
00:19:07,355 --> 00:19:09,566
PLEASE.
I'LL GET HIM OUT.

417
00:19:09,648 --> 00:19:13,570
SEE THAT YOU DO.
WHAT KIND OF A HOTEL
DO YOU THINK THIS IS?

418
00:19:13,652 --> 00:19:17,240
"MISS CONSTANCE CONNER
IS BACK IN CIRCULATION."

419
00:19:25,623 --> 00:19:27,040
YOU ROBERTS?

420
00:19:28,750 --> 00:19:30,085
YEAH. WHAT ABOUT IT?

421
00:19:30,168 --> 00:19:32,505
A LOT ABOUT IT.

422
00:19:32,589 --> 00:19:34,965
YOU AND ME'S
GOING TO HAVE
A LITTLE TALK, SEE?

423
00:19:35,048 --> 00:19:36,259
[RING]

424
00:19:36,342 --> 00:19:38,261
I WOULDN'T
ANSWER THAT.

425
00:19:38,344 --> 00:19:40,053
[RING]

426
00:19:40,137 --> 00:19:42,223
YOU AIN'T IN, SEE?

427
00:19:48,812 --> 00:19:51,148
NOW LISTEN, BABY.

428
00:19:51,232 --> 00:19:55,570
YOU'VE BEEN PULLING A LOT OF
CRACKS ABOUT A PAL, SAM GOBEL,
AND HE DON'T LIKE IT.

429
00:19:55,653 --> 00:19:59,948
SO I'M TELLING YOU TO LAY OFF,
OR SOMEBODY'S GOING FOR A BUGGY
RIDE, AND NEVER COMING BACK.

430
00:20:00,032 --> 00:20:01,950
WHEN DID I SAY ANYTHING
ABOUT GOBEL?

431
00:20:02,034 --> 00:20:05,288
LAST MONDAY WAS ONCE.
GET THIS.

432
00:20:05,371 --> 00:20:08,291
"THAT SNOOTY SIN DEN
ON EAST 57th STREET

433
00:20:08,374 --> 00:20:11,126
"IS REALLY OWNED
BY A BROADWAY
PUBLIC ENEMY

434
00:20:11,209 --> 00:20:13,962
"THAT THE JUNIOR-LEAGUE
DEBS WOULD FAINT AT

435
00:20:14,046 --> 00:20:15,923
IF THEY SAW HIM
IN THE PLACE."

436
00:20:16,006 --> 00:20:17,383
THAT DON'T MENTION
GOBEL.

437
00:20:17,467 --> 00:20:19,718
NO, BUT THERE AIN'T
NOBODY ELSE THAT FITS.

438
00:20:19,801 --> 00:20:22,472
SAM DON'T LIKE IT,
AND WHAT'S MORE,
<i> I </i>
DON'T LIKE IT.

439
00:20:22,555 --> 00:20:24,222
UM...

440
00:20:27,184 --> 00:20:28,226
WHO ARE YOU?

441
00:20:28,311 --> 00:20:29,853
JUST CALL ME FRANKIE.

442
00:20:29,937 --> 00:20:32,690
FRAN--
NOT FRANKIE WELLS?

443
00:20:32,773 --> 00:20:34,775
YOU AIN'T SO DUMB,
AT THAT.

444
00:20:34,858 --> 00:20:38,028
I THOUGHT YOUR HANGOUT
WAS IN CHICAGO.

445
00:20:38,111 --> 00:20:40,281
IT IS, MOSTLY,
BUT THEY GOT A LOT
OF UNEMPLOYMENT,

446
00:20:40,365 --> 00:20:43,742
SO SAM ASKED ME TO COME
AND FIX UP FEW THINGS
FOR HIM HERE.

447
00:20:43,825 --> 00:20:45,077
SO I'M
ONE OF THEM.

448
00:20:45,160 --> 00:20:46,787
YEAH. ONE OF THEM.

449
00:20:46,870 --> 00:20:48,830
BUMPING OFF
THAT CHINESE LAUNDRYMAN
DOWN MacDOUGALL STREET

450
00:20:48,914 --> 00:20:50,458
WAS THE OTHER ONE?

451
00:20:50,541 --> 00:20:51,959
WHERE DID YOU
GET THAT?

452
00:20:52,042 --> 00:20:54,337
I GET AROUND.
YOU AIN'T DENYING IT,
ARE YOU?

453
00:20:54,420 --> 00:20:57,632
NOT TO YOU.
I DON'T CARE IF
YOU KNOW I DID IT,

454
00:20:57,715 --> 00:21:00,926
BECAUSE YOU AIN'T
GOING TO MAKE NO TROUBLE
FOR ME OR NOBODY ELSE.

455
00:21:01,009 --> 00:21:03,429
GET ME?
I GOT YOU.

456
00:21:03,513 --> 00:21:07,224
I CAN TAKE CARE OF YOU
THE SAME AS I
TOOK CARE OF THE CHINK.

457
00:21:07,308 --> 00:21:10,687
THERE'LL BE NOTHING ON ME
NOBODY CAN USE IN COURT.
I JUST WASN'T AROUND.

458
00:21:10,769 --> 00:21:12,355
SURE, I KNOW.

459
00:21:12,438 --> 00:21:15,441
GOBEL FIXES UP
SOME SWELL ALIBIS
FOR HIS BOYS.

460
00:21:15,525 --> 00:21:18,944
YOU BET HE DOES,
AND THE ONE WE GOT
FRAMED FOR YOU IS A PIP.

461
00:21:20,821 --> 00:21:22,740
I GOT YOUR PAPERS,
MR. ROBERTS.

462
00:21:22,823 --> 00:21:25,033
THANKS.
ANYTHING ELSE, MR. ROBERTS?

463
00:21:25,117 --> 00:21:29,287
YEAH, YEAH.
TAKE THESE RECORDS
DOWNSTAIRS FOR ME.

464
00:21:29,372 --> 00:21:32,500
O.K., MR. ROBERTS.
WAIT A MINUTE.

465
00:21:32,583 --> 00:21:35,420
HERE'S ANOTHER ONE.
BE VERY, VERY, VERY
CAREFUL WITH IT, WILL YOU?

466
00:21:35,503 --> 00:21:37,254
O.K., MR. ROBERTS.

467
00:21:40,383 --> 00:21:42,968
THEN I CAN GO BACK
AND TELL SAM
EVERYTHING'S JAKE?

468
00:21:43,051 --> 00:21:44,970
SURE. SURE.
TELL HIM THAT.

469
00:21:45,053 --> 00:21:47,348
NO HARD FEELINGS?
NO. NO HARD FEELINGS.

470
00:21:47,432 --> 00:21:48,974
THEN I WON'T BE
SEEING YOU.

471
00:21:49,057 --> 00:21:51,728
WAIT A MINUTE!
I GOT SOMETHING
I WANT TO SHOW YOU.

472
00:21:51,810 --> 00:21:52,978
SHOW ME WHAT?

473
00:21:53,061 --> 00:21:54,813
SOMETHING I GOT HERE.

474
00:21:57,858 --> 00:21:59,192
WHAT IS THAT?

475
00:21:59,276 --> 00:22:00,570
RUTH SNYDER IN THE
ELECTRIC CHAIR.

476
00:22:00,653 --> 00:22:02,780
WAS STANDING NEXT
TO THE GUY THAT TOOK IT.

477
00:22:02,863 --> 00:22:04,990
YOU WAS?

478
00:22:05,073 --> 00:22:08,786
SHE WASN'T MUCH FURTHER AWAY
THAN I'M FROM YOU, THE CHAIR
WAS SAME, ONLY BIGGER,

479
00:22:08,869 --> 00:22:10,912
WITH STRAPS ON IT
TO FASTEN YOU DOWN.

480
00:22:10,996 --> 00:22:12,457
WHAT ARE YOU
TALKING ABOUT?

481
00:22:12,540 --> 00:22:15,000
RUTH SNYDER
IN THE ELECTRIC CHAIR.

482
00:22:15,083 --> 00:22:17,294
WHAT DO I CARE ABOUT
THE ELECTRIC CHAIR?

483
00:22:17,378 --> 00:22:20,172
YOU OUGHT TO.
YOU MIGHT BE CLOSER TO IT
THAN YOU THINK.

484
00:22:20,255 --> 00:22:22,174
ARE YOU TRYING
TO PULL SOME GAG?

485
00:22:22,257 --> 00:22:23,967
NOBODY'S GOT
NOTHING ON ME!

486
00:22:24,051 --> 00:22:25,678
NO? I WOULDN'T BE
TOO SURE.

487
00:22:25,762 --> 00:22:27,388
WHAT DO YOU MEAN?

488
00:22:27,472 --> 00:22:30,307
EVER SEEN ONE OF THOSE?
IT TAKES DOWN
EVERYTHING YOU SAY.

489
00:22:30,391 --> 00:22:34,437
I SWITCHED IT ON WHEN YOU
SPOKE ABOUT THAT CHINAMAN,
AND WHAT YOU'RE GONNA DO TO ME.

490
00:22:34,520 --> 00:22:36,897
IN YOUR OWN WORDS
IN THAT RECORD THE BOY TOOK.

491
00:22:36,980 --> 00:22:39,983
WOULDN'T DO YOU GOOD TO SHOOT ME
UNLESS YOU SHOT THAT RECORD,

492
00:22:40,067 --> 00:22:42,695
BECAUSE THEY CAN RUN IT OFF
FOR A JURY ANYTIME.

493
00:22:42,779 --> 00:22:45,531
CLOAKING ME WOULD MEAN
THEY'D HAVE YOU FOR 2 MURDERS
NOT ONE,

494
00:22:45,615 --> 00:22:47,617
AND ONE TRIP
TO THAT CHAIR IS PLENTY.

495
00:22:47,700 --> 00:22:50,077
GO THERE SOMETIME
AND SEE THEM BURN SOMEBODY?

496
00:22:50,160 --> 00:22:52,120
I'M TELLING YOU,
YOU'D NEVER FORGET.

497
00:22:52,204 --> 00:22:54,499
THE ROOM WAS ABOUT
THE SIZE OF THIS ONE.

498
00:22:54,582 --> 00:22:57,418
THE WITNESSES ARE ON
BENCHES, AND THE CHAIR
IS RIGHT ABOUT HERE.

499
00:22:57,502 --> 00:23:00,045
THERE'S A WIRE COMING UP
WITH A RUBBER CAP.

500
00:23:00,128 --> 00:23:03,965
INSIDE IS A SPONGE SOAKED
IN SALT WATER, THEY STRAP
THAT ON YOUR LEG RIGHT HERE.

501
00:23:04,049 --> 00:23:05,635
THAT'S WHAT CAUSES
ALL THE STEAM.

502
00:23:05,718 --> 00:23:08,011
KIND OF BLUE.
IN HERE IS
A SMALLER ROOM.

503
00:23:08,095 --> 00:23:11,474
THAT'S WHERE THE SLABS ARE.
THEY LAY YOU THERE WHEN
THEY BANDAGE YOUR LEG.

504
00:23:11,557 --> 00:23:13,266
WHAT FOR?
DIDN'T YOU KNOW?

505
00:23:13,350 --> 00:23:15,436
THE RIGHT LEG.
THE ONE THAT GETS THE JUICE.

506
00:23:15,520 --> 00:23:17,814
WHEN THEY UNDO THE STRAPS
AND LIFT YOU OUT,

507
00:23:17,896 --> 00:23:21,526
THAT RIGHT LEG SNAPS UP
WITH A KINK, AND YOUR HEEL
HITS YOUR BACKSIDE.

508
00:23:21,609 --> 00:23:25,070
THEY TIE IT STRAIGHT WHILE
IT'S WARM, ELSE THEY'D NEVER
GET YOU INTO A COFFIN.

509
00:23:25,153 --> 00:23:26,447
LAY OFF!

510
00:23:26,531 --> 00:23:28,574
HERE IS A DOOR
FROM THE DEATH HOUSE.

511
00:23:28,658 --> 00:23:30,909
YOU'VE BEEN THERE HOPING
AT THE LAST MINUTE,

512
00:23:30,992 --> 00:23:34,037
SOMEBODY WILL COME WITH
A PARDON FROM THE GOVERNOR,
BUT NOBODY COMES.

513
00:23:34,121 --> 00:23:36,039
IT'S THOSE LAST 8 HOURS
THAT DRIVE YOU NUTS--

514
00:23:36,123 --> 00:23:37,667
THAT WAITING
AND WAITING.

515
00:23:37,750 --> 00:23:40,628
YOU ORDER A BIG DINNER,
AND WHEN YOU EAT,
YOU THROW UP

516
00:23:40,711 --> 00:23:43,255
BECAUSE YOU GOT NO HOPE
TO BRACE YOU UP.

517
00:23:43,338 --> 00:23:47,008
FINALLY, BEFORE MIDNIGHT,
THE WARDEN COMES. HE'S ON
TIME. HE'S NEVER BEEN LATE YET.

518
00:23:47,092 --> 00:23:50,137
HE'S COME TO TAKE YOU
FOR A RIDE--ONLY IT'S
A WALK, FRANKIE.

519
00:23:50,220 --> 00:23:52,557
A SLOW WALK,
LIKE THIS, SEE?

520
00:23:52,640 --> 00:23:54,933
YOU'RE COMING IN FROM THERE
OUT OF THE DARK,

521
00:23:55,016 --> 00:23:57,687
AND YOUR FEET ARE SHUFFLING,
AND THAT PANTS LEG
IS FLAPPING,

522
00:23:57,770 --> 00:23:59,689
AND YOU'RE LOOKING UP,
YOUR EYES BLINKING.

523
00:23:59,772 --> 00:24:03,776
YOU'RE SAYING OVER AND OVER,
"HEAVEN FORGIVE ME."

524
00:24:03,860 --> 00:24:07,279
THEY'RE ALL STANDING UP,
THE REPORTERS
AND THE DOCTORS.

525
00:24:07,362 --> 00:24:10,323
COUPLE OF WITNESSES PASS OUT
WHILE THEY'RE STRAPPING YOU
IN THE CHAIR.

526
00:24:10,407 --> 00:24:12,785
THEY PUT STRAPS
HERE, HERE,
AND A BIG ONE HERE.

527
00:24:12,869 --> 00:24:16,246
THERE'S ANOTHER ONE
OVER HERE THAT'S TIGHT.
OH, IT'S TIGHT!

528
00:24:16,329 --> 00:24:20,751
THEN THEY PUT A WIDE RUBBER
BAND ACROSS YOUR EYES AND MOUTH
SO YOU CAN'T EVEN PRAY.

529
00:24:20,835 --> 00:24:23,128
THEN THEY STEP BACK
AND LEAVE YOU
THERE ALONE

530
00:24:23,211 --> 00:24:25,756
ABOUT 10 SECONDS,
WHICH SEEMS LIKE
10 YEARS TO YOU.

531
00:24:25,840 --> 00:24:27,758
YOU KNOW WHY
THEY DO THAT, FRANKIE?

532
00:24:27,842 --> 00:24:30,218
BECAUSE THE WARDENS WAIT
UNTIL ALL YOUR BREATH'S OUT,

533
00:24:30,302 --> 00:24:33,305
BECAUSE IF YOUR LUNGS
WERE FULL WHEN YOU MADE
THAT LUNGE FORWARD,

534
00:24:33,388 --> 00:24:36,099
YOU MIGHT SQUEAL,
AND EVERYBODY WOULD GO NUTS.

535
00:24:36,183 --> 00:24:38,853
THEN THEY GIVE YOU 2 SHOTS
OF 2.000 VOLTS EACH,

536
00:24:38,936 --> 00:24:41,271
AND YOUR HAIR STARTS SMOKING,
AND YOUR LEG IS STEAMING.

537
00:24:41,354 --> 00:24:43,649
THAT LEFT HAND
THAT'S STRAPPED DOWN
SO TIGHT

538
00:24:43,733 --> 00:24:46,026
STARTS TURNING, TURNING,

539
00:24:46,109 --> 00:24:49,404
UNTIL FINALLY,
ONE FINGER POINTS
STRAIGHT UP

540
00:24:49,487 --> 00:24:52,240
TO WHERE YOU'RE
NOT GOING.

541
00:24:53,701 --> 00:24:55,745
JEEZ! I THOUGHT
THEY HAD ME.

542
00:24:55,828 --> 00:24:57,622
YOU'RE ALRIGHT,
FRANKIE.
NOBODY'S GOT YOU.

543
00:24:57,705 --> 00:24:59,331
AND THEY AIN'T
EVER GONNA.

544
00:24:59,414 --> 00:25:01,918
AND YOU DIDN'T MEAN THAT
ABOUT PUTTING ME ON THE SPOT.

545
00:25:02,000 --> 00:25:04,169
I WAS JUST TRYING
TO SCARE YOU.

546
00:25:04,252 --> 00:25:06,714
I KNEW YOU WERE KIDDING.
THAT'S ALL. JUST KIDDING.

547
00:25:06,797 --> 00:25:08,716
BUT IF ANYTHING
HAPPENED TO ME,

548
00:25:08,799 --> 00:25:10,760
THE COPS
WOULDN'T KNOW
YOU WERE KIDDING.

549
00:25:10,843 --> 00:25:13,804
THEY'D HAVE TO BURN SOMEBODY,
AND IT MIGHT AS WELL BE YOU.

550
00:25:13,888 --> 00:25:15,806
BUT...SUPPOSE SOMEBODY ELSE
BUMPED YOU OFF--

551
00:25:15,890 --> 00:25:17,767
SOMEBODY I
NEVER EVEN SEEN?

552
00:25:17,850 --> 00:25:19,727
THAT WOULD JUST BE
YOUR TOUGH LUCK.

553
00:25:19,810 --> 00:25:21,228
WHAT AM I GONNA DO?

554
00:25:21,311 --> 00:25:23,731
GO TELL SAM GOBEL
IF HE EVER PULLS
ANY MORE GAGS,

555
00:25:23,814 --> 00:25:25,315
I'LL KNOCK
HIS EARS OFF!

556
00:25:25,398 --> 00:25:27,400
CAN'T TELL HIM THAT.
I GOT A REPUTATION.

557
00:25:27,484 --> 00:25:29,402
I'M A TOUGH GUY
FROM CHICAGO.

558
00:25:29,486 --> 00:25:31,781
TELL HIM
I'M A TOUGHER ONE
FROM NEW YORK.

559
00:25:31,864 --> 00:25:35,576
DIDN'T GET ALL ME MONEY
FOR THAT CHINAMAN. NOW GOBEL
WILL HOLD OUT ON ME.

560
00:25:35,660 --> 00:25:37,662
HOW ABOUT SOME MONEY FROM ME?
DOING WHAT?

561
00:25:37,745 --> 00:25:40,121
LETTING ME IN ON STUFF
ABOUT GOBEL AND HIS MOB.

562
00:25:40,205 --> 00:25:42,040
I COULDN'T! SUPPOSE
THEY FOUND OUT?

563
00:25:42,123 --> 00:25:44,710
SUPPOSE THEY DIDN'T?
THINK IT OVER.
LET'S TALK SOMETIME.

564
00:25:46,503 --> 00:25:48,046
OH. AM I INTRUDING?

565
00:25:48,129 --> 00:25:51,174
NO. I'M JUST
GOING, ANYWAY.

566
00:25:53,844 --> 00:25:57,264
COME BACK AND SEE ME
SOMETIME, FRANKIE.

567
00:25:57,347 --> 00:25:59,391
DID YOU GET
A PUNCH LINE
OUT OF HIM?

568
00:25:59,474 --> 00:26:01,978
I SURE DID,
ONLY IT'S NO GOOD
FOR TODAY'S COLUMN.

569
00:26:02,060 --> 00:26:03,813
SAY, STEVIE.
YEAH?

570
00:26:03,896 --> 00:26:06,941
LOOK UP SOME RECORD
I SENT DOWN.
WANNA SEE WHAT'S ON THEM.

571
00:26:07,024 --> 00:26:09,819
THERE WON'T BE ANYTHING.
THERE WILL. I JUST DICTATED.

572
00:26:09,902 --> 00:26:13,154
THE KID DROPPED THE RECORDS,
AND THEY BROKE
IN A THOUSAND PIECES.

573
00:26:16,784 --> 00:26:18,493
DON'T YOU
FEEL WELL, ALVIN?

574
00:26:20,120 --> 00:26:21,371
WONDERFUL.

575
00:26:34,134 --> 00:26:35,928
"SEEN ALONG PARK AVENUE--

576
00:26:36,012 --> 00:26:39,097
"THE FORMER MRS. ROBERT
(RAILROAD KING) PENNY, 64,

577
00:26:39,180 --> 00:26:41,308
"AND HER NEW
PLAYBOY HUSBAND, 26,

578
00:26:41,391 --> 00:26:44,102
"PARADING WITH
HER BLUE-RIBBON
POODLE, FIFI,

579
00:26:44,185 --> 00:26:47,272
WHO IS ANTICIPATING
A BLESSED EVENT."

580
00:26:47,355 --> 00:26:49,692
DON'T YOU EVER GET TIRED,
TAKING THESE DIGS
AT PEOPLE?

581
00:26:49,775 --> 00:26:51,736
NOT WHILE IT GETS ME
THE BIG MONEY.

582
00:26:51,819 --> 00:26:54,071
HERE I AM, MAKING ENOUGH
TO HAVE EVERYTHING--

583
00:26:54,154 --> 00:26:56,866
A SWELL APARTMENT, A CAR,
EVEN A SANDWICH
NAMED AFTER ME,

584
00:26:56,949 --> 00:26:59,869
AND THE SWEETEST GIRL
IN THE WORLD
WON'T GIVE ME A TUMBLE.

585
00:26:59,952 --> 00:27:02,120
LET'S NOT GO
INTO THAT.
I JUST CAN'T.

586
00:27:02,203 --> 00:27:04,497
WHY NOT, HONEY?
YOU KNOW I'M NUTS
ABOUT YOU.

587
00:27:04,581 --> 00:27:06,333
IMAGINE THE HOME
WE COULD HAVE,

588
00:27:06,416 --> 00:27:09,754
THINK OF ALL THIS DOUGH
I'M MAKING, HOW IT'S ALL
GOING TO WASTE.

589
00:27:09,837 --> 00:27:11,797
THAT ISN'T THE REASON
THAT KEEPS ME FROM--

590
00:27:11,881 --> 00:27:14,341
YOU MEAN, YOU JUST
CAN'T SEE ME,
PERSONALLY?

591
00:27:14,424 --> 00:27:16,343
NOT THAT.
WHAT IS IT? THE DIRT?

592
00:27:16,426 --> 00:27:18,345
IT ISN'T THAT
I DON'T LIKE YOU--

593
00:27:18,428 --> 00:27:20,097
IN SOME WAYS,
I THINK YOU'RE SWELL--

594
00:27:20,180 --> 00:27:22,349
BUT IT'S
THAT STUFF YOU WRITE.

595
00:27:22,432 --> 00:27:26,144
I SUPPOSE IF I REALLY
LOVED YOU, I WOULDN'T
LET THAT STAND IN THE WAY.

596
00:27:26,227 --> 00:27:29,314
BUT IT'S LIKE YOU LISTEN
TO THINGS THAT AREN'T
YOUR BUSINESS AND TATTLE.

597
00:27:29,397 --> 00:27:31,942
TRY AND SEE IT MY WAY.
I'M BEATING THE NEWS.

598
00:27:32,026 --> 00:27:34,361
AFTER A WHILE,
ALL MY BLESSED EVENTS
BECOME BABIES.

599
00:27:34,444 --> 00:27:37,907
THEN THEY'RE ALRIGHT.
I PRINT THAT A PROMINENT
COUPLE HAVE CHILLED.

600
00:27:37,990 --> 00:27:40,325
6 WEEKS LATER,
THEY
<i> ARE </i>
IN RENO,
AND EVERYBODY'S PRINTING IT.

601
00:27:40,408 --> 00:27:41,994
WHAT'S WRONG
WITH THAT?

602
00:27:42,078 --> 00:27:43,954
THEY'RE SECRETS
UNTIL YOU GET AHOLD
OF THEM.

603
00:27:44,038 --> 00:27:47,415
I NEVER PRINT ANYTHING
THAT PEOPLE AREN'T
ALREADY GOSSIPING ABOUT.

604
00:27:47,499 --> 00:27:49,417
BUT YOU DO IT
FOR MONEY.

605
00:27:49,501 --> 00:27:52,295
SOMEDAY, YOU'LL SEE THINGS
MY WAY. YOU'VE GOT TO.

606
00:27:52,379 --> 00:27:55,049
BECAUSE IN MY LIFE,
THERE'S ONLY 2 THINGS
THAT MATTER:

607
00:27:55,132 --> 00:27:56,884
YOU AND MY COLUMN.

608
00:28:01,013 --> 00:28:04,850
HELLO, MOX. WHAT DO YOU KNOW?
I'M STUCK FOR A MONDAY PUNCH
THE WORST WAY.

609
00:28:04,934 --> 00:28:07,519
WELL, HOOVER'S
PRESIDENT.

610
00:28:07,602 --> 00:28:09,980
I KNOW,
BUT THEY ASKED ME
TO KEEP IT QUIET.

611
00:28:10,064 --> 00:28:13,400
ON THE LEVEL,
DON'T YOU KNOW A THING?
I'M RIGHT ON MY DEADLINE.

612
00:28:13,483 --> 00:28:15,736
HOW SHOULD
I KNOW ANYTHING?
I'M JUST A PET EDITOR.

613
00:28:15,820 --> 00:28:17,612
DIDN'T KNOW
WE HAD ONE.

614
00:28:17,695 --> 00:28:21,158
SURE. ANYTIME YOUR CAT
NEEDS A MIDWIFE,
GIVE ME A RING.

615
00:28:26,872 --> 00:28:28,874
HELLO.
WHAT DO YOU KNOW
THAT I DON'T?

616
00:28:28,958 --> 00:28:30,625
I KNOW YOU'RE
A MIRACLE MAN,

617
00:28:30,708 --> 00:28:33,211
THE WAY YOU
KEEP THAT COLUMN
BUBBLING OVER.

618
00:28:33,294 --> 00:28:37,340
IT'S NOT EASY. I'M STUCK
FOR A MONDAY PUNCH LINE.
ONLY FEW HOURS TO FIND ONE.

619
00:28:37,424 --> 00:28:38,759
YOU'LL GET ONE.
YOU ALWAYS DO.

620
00:28:38,843 --> 00:28:41,137
I WANT A TOP LINE
WITH A REAL WALLOP.

621
00:28:41,219 --> 00:28:43,513
ONE OF THESE DAYS,
YOU'RE GOING TO
RUN SOMETHING

622
00:28:43,596 --> 00:28:46,183
WITH SUCH A WALLOP
THAT YOU'LL GET HURT.

623
00:28:48,769 --> 00:28:50,020
WOULD YOU CARE?

624
00:28:50,104 --> 00:28:52,522
OF COURSE I'D CARE.
LOTS.

625
00:28:54,817 --> 00:28:57,778
ENOUGH RIGHT NOW
TO GIVE ME JUST
ONE LITTLE KISS?

626
00:28:57,862 --> 00:28:59,196
JUST FOR LUCK.

627
00:28:59,279 --> 00:29:02,032
AL, DON'T ASK ME THAT.
THINK HOW I FEEL.

628
00:29:02,116 --> 00:29:05,202
SEEING YOU EVERY DAY,
TALKING TO YOU,
LOVING YOU ALL THE TIME

629
00:29:05,285 --> 00:29:08,288
AND NEVER EVEN GETTING
TO FIRST BASE.

630
00:29:08,371 --> 00:29:09,957
JUST ONE, THEN.

631
00:29:19,091 --> 00:29:20,926
I THINK I'D
BETTER GO NOW.

632
00:29:22,469 --> 00:29:23,595
Alvin: LOOK OUT.

633
00:29:37,275 --> 00:29:38,651
I, UH--AHEM.
YEAH. AND NOW--

634
00:29:38,735 --> 00:29:39,904
[RING]

635
00:29:39,987 --> 00:29:40,905
IN REGARDS--

636
00:29:40,988 --> 00:29:41,989
HELLO?

637
00:29:42,072 --> 00:29:44,200
YEAH. WAIT A MINUTE.

638
00:29:44,282 --> 00:29:46,202
MISS AMELIA ROTHSCHILD
IS ON THE PHONE.

639
00:29:46,284 --> 00:29:48,286
NOT
<i> THE </i>
AMELIA ROTHSCHILD
OF SUTTON PLACE?

640
00:29:48,369 --> 00:29:50,288
THAT'S WHERE
SHE SLEEPS
FOR PUBLICATION.

641
00:29:50,371 --> 00:29:52,041
DO YOU WANT TO SEE HER?
NO.

642
00:29:52,124 --> 00:29:54,251
HE'S NOT IN.

643
00:29:54,334 --> 00:29:58,421
TAKE THIS. WE HAVE IT ON
THE BEST AUTHORITY-- PUT THIS IN
THE MIDDLE OF THE COLUMN.

644
00:29:58,505 --> 00:30:01,549
WHAT WELL-KNOWN BANKER'S SON
SECRETLY ANKLED UP THE AISLE
TO THE ALTAR

645
00:30:01,633 --> 00:30:04,136
WITH ONE OF THE MORE GLORIFIED
OF ZIEGFELD'S DAMSELS?

646
00:30:04,220 --> 00:30:05,553
WHAT ONE HAS?

647
00:30:05,637 --> 00:30:07,430
HOW DO I KNOW?
I'M ONLY ASKING.

648
00:30:07,514 --> 00:30:08,765
ANYTHING ELSE?

649
00:30:08,849 --> 00:30:11,559
WELL, WHEN IN DOUBT,
ALWAYS RIB BUNNY HARMON.

650
00:30:11,643 --> 00:30:14,812
TAKE THIS:
THE OTHER NIGHT, BUNNY HARMON--
MAKE THAT BUGGY HARMON--

651
00:30:14,897 --> 00:30:17,274
AND HIS SO-CALLED JAZZ BAND
WERE INTERRUPTED BY A DRUNK

652
00:30:17,357 --> 00:30:19,484
WHO SUDDENLY SHOUTED,
"YOU'RE A DIRTY SO-AND-SO!"

653
00:30:19,567 --> 00:30:21,569
ONE OF HARMON'S MEN
ANGRILY AROSE AND SAID,

654
00:30:21,653 --> 00:30:23,571
"WHO CALLED OUR JAZZ LEADER
A SO-AND-SO?"

655
00:30:23,655 --> 00:30:26,658
WHEREUPON THE DRUNK REPLIED,
"WHO CALLED THE SO-AND-SO
A JAZZ LEADER?"

656
00:30:26,741 --> 00:30:28,576
OH, MR. ROBERTS.

657
00:30:28,660 --> 00:30:30,955
I'M DUE AT THAT BROADCASTING
STATION IN AN HOUR.

658
00:30:31,038 --> 00:30:33,665
SHOOT THAT STUFF DOWNSTAIRS
AND STICK AROUND
FOR THE PHONE CALL.

659
00:30:33,748 --> 00:30:36,168
I'LL SHOOT IN A PUNCH LINE
IF I'VE TO MURDER SOMEBODY.

660
00:30:36,252 --> 00:30:37,920
BUT SUPPOSE
YOU DON'T GET IT.

661
00:30:38,003 --> 00:30:40,713
I'M STILL BATTING 1.000.
I'M NOT GOING TO
STRIKE OUT NOW.

662
00:30:49,389 --> 00:30:51,516
[MUSIC PLAYING]

663
00:30:51,599 --> 00:30:54,435
♪♪ EVERY GOLDENROD
SEEMS TO NOD A NOD ♪♪

664
00:30:54,519 --> 00:30:57,855
♪♪ TO THE BREEZE'S WARM CARESS ♪♪

665
00:30:57,940 --> 00:31:00,317
♪♪ HOW CAN YOU SAY NO ♪♪

666
00:31:00,400 --> 00:31:02,860
♪♪ WHEN ALL THE WORLD
IS SAYING YES? ♪♪

667
00:31:02,945 --> 00:31:05,572
♪♪ ALL THE STARS ABOVE
TUMBLE INTO LOVE ♪♪

668
00:31:05,655 --> 00:31:08,993
♪♪ WITH ITS SPRINGTIME
LOVELINESS ♪♪

669
00:31:09,076 --> 00:31:11,452
♪♪ HOW CAN YOU SAY NO ♪♪

670
00:31:11,536 --> 00:31:14,164
♪♪ WHEN ALL THE WORLD
IS SAYING YES? ♪♪

671
00:31:14,248 --> 00:31:17,084
♪♪ EVERY JACK TO HIS JILL ♪♪

672
00:31:17,167 --> 00:31:19,627
♪♪ IS CALLING AGAIN ♪♪

673
00:31:19,711 --> 00:31:22,547
♪♪ UP THE HILL,
DOWN THE HILL ♪♪

674
00:31:22,630 --> 00:31:25,592
♪♪ THEY'RE FALLING AGAIN ♪♪

675
00:31:25,675 --> 00:31:28,304
♪♪ ALL THE WORLD AROUND
IS CLOVER-BOUND ♪♪

676
00:31:28,386 --> 00:31:31,974
♪♪ ON THAT HONEYMOON EXPRESS ♪♪

677
00:31:32,057 --> 00:31:34,059
♪♪ HOW CAN YOU SAY NO ♪♪

678
00:31:34,143 --> 00:31:37,229
♪♪ WHEN ALL THE WORLD
IS SAYING YES? ♪♪

679
00:31:37,313 --> 00:31:39,814
♪♪ EVERY GOLDENROD
SEEMS TO NOD ♪♪

680
00:31:39,897 --> 00:31:43,027
♪♪ TO THAT BREEZE'S WARM CARESS ♪♪

681
00:31:43,110 --> 00:31:45,195
♪♪ HOW CAN YOU SAY NO ♪♪

682
00:31:45,279 --> 00:31:46,821
♪♪ WHEN ALL THE WORLD..♪♪

683
00:31:46,904 --> 00:31:47,572
MR. ROBERTS.

684
00:31:47,655 --> 00:31:48,823
YEAH?

685
00:31:48,906 --> 00:31:50,242
I'M DOROTHY LANE.

686
00:31:50,326 --> 00:31:52,244
O.K., DOROTHY,
I'VE SPOTTED YOUR NUMBER

687
00:31:52,328 --> 00:31:54,579
RIGHT AFTER WE HEAR
FROM TREM PERKINS
IN CHICAGO.

688
00:31:54,662 --> 00:31:57,207
COULD I SPEAK TO YOU
FOR JUST A MINUTE?

689
00:31:57,291 --> 00:31:59,459
WHAT? WHEN I'M LISTENING
TO MY FAVORITE MUSICIAN?

690
00:31:59,542 --> 00:32:02,837
♪♪ EVERY JACK TO HIS JILL ♪♪

691
00:32:02,920 --> 00:32:05,257
♪♪ IS CALLING AGAIN ♪♪

692
00:32:05,341 --> 00:32:08,135
♪♪ UP THE HILL,
DOWN THE HILL ♪♪

693
00:32:08,218 --> 00:32:11,305
♪♪ THEY'RE FALLING AGAIN ♪♪

694
00:32:11,388 --> 00:32:14,058
♪♪ ALL THE WORLD AROUND
IS CLOVER-BOUND ♪♪

695
00:32:14,141 --> 00:32:17,477
♪♪ ON THAT HONEYMOON EXPRESS ♪♪

696
00:32:17,560 --> 00:32:19,980
♪♪ HOW CAN YOU SAY NO ♪♪

697
00:32:20,064 --> 00:32:25,693
♪♪ WHEN ALL THE WORLD
IS SAYING YES? ♪♪

698
00:32:25,777 --> 00:32:28,405
THIS IS BUNNY HARMON,
THE OLD MUSIC MASTER,
LADIES AND GENTLEMEN.

699
00:32:28,488 --> 00:32:31,408
IF YOU LIKE ME ON THE AIR,
I HOPE YOU DO,

700
00:32:31,491 --> 00:32:34,161
YOU CAN SEE ME IN PERSON
A WEEK FROM SATURDAY NIGHT

701
00:32:34,244 --> 00:32:36,913
WHEN I OPEN MY NEW TEMPLE
OF MELODY, THE CHATEAU HARMONY.

702
00:32:36,997 --> 00:32:40,458
YES, SIR, AND IT'S GOING TO BE
BROADWAY'S SMARTEST NIGHTCLUB.

703
00:32:40,541 --> 00:32:45,713
THE CHATEAU HARMONY WILL BE
AN EXCLUSIVE RENDEZVOUS
FOR DISCRIMINATING PEOPLE.

704
00:32:45,797 --> 00:32:49,301
AND I TAKE PLEASURE
IN ANNOUNCING THIS
AS AN ADDED ATTRACTION:

705
00:32:49,385 --> 00:32:53,055
MR. ALVIN ROBERTS
WILL NEVER BE ADMITTED.

706
00:32:54,972 --> 00:32:57,517
SO YOU MUST COME OVER.

707
00:32:57,600 --> 00:32:59,477
[MUSIC BEGINS]

708
00:33:10,322 --> 00:33:11,864
HI, ROBERTS.

709
00:33:19,248 --> 00:33:23,168
THIS IS THE STUDIO
OF WYNY IN NEW YORK CITY,

710
00:33:23,252 --> 00:33:25,962
CROMWELL CHURCH ANNOUNCING.

711
00:33:26,046 --> 00:33:29,216
FOR THE NEXT HALF-HOUR,
THE GOLD STRIKE CIGARETTE
PROGRAM COMES TO YOU

712
00:33:29,299 --> 00:33:30,842
OVER OUR NATIONAL NETWORK,

713
00:33:30,925 --> 00:33:33,470
WITH BITS OF ENTERTAINMENT
FROM HERE AND THERE

714
00:33:33,553 --> 00:33:37,474
AS MR. ROBERTS TRANSPORTS US
ROUND THE COUNTRY
WITH HIS MAGIC WAND.

715
00:33:37,557 --> 00:33:40,727
INCIDENTALLY, HE BRINGS
TO US THE NEWEST LOWDOWN

716
00:33:40,810 --> 00:33:43,063
AS HE PEEKS THROUGH
THE NATION'S KEYHOLE.

717
00:33:43,147 --> 00:33:45,815
THIS IS ALVIN ROBERTS SPEAKING
AS HE WAVES HIS MAGIC WAND.

718
00:33:45,898 --> 00:33:47,775
IF YOU WANT THE LOWDOWN
ON CIGARETTES,

719
00:33:47,859 --> 00:33:50,528
THERE ARE NONE AS KIND
TO THE THROAT AS GOLD STRIKE.

720
00:33:50,611 --> 00:33:52,780
NOW FOR AN IMPORTANT
ANNOUNCEMENT.

721
00:33:52,864 --> 00:33:55,616
WHEN BUNNY HARMON OPENS
HIS CHATEAU HARMONY A WEEK
FROM SATURDAY NIGHT,

722
00:33:55,700 --> 00:33:59,413
SPECIAL ATTRACTION:
MRS. ROBERTS' NAUGHTY BOY ALVIN

723
00:33:59,496 --> 00:34:02,874
WILL POSITIVELY BE THERE
IN PERSON.

724
00:34:02,957 --> 00:34:05,960
YOU MUST COME OVER.
AND NOW TO GET DOWN
TO THE DIRT.

725
00:34:06,043 --> 00:34:09,465
YOUR CORRESPONDENT HAS TO ADMIT
THAT BROADWAY HAS BEEN
SORT OF BLAH-BLAH THIS WEEK.

726
00:34:09,547 --> 00:34:12,301
BATTLING DELANEY,
WHO RECENTLY K.O.'d KID CALLAHAN
WITH ONE PUNCH,

727
00:34:12,384 --> 00:34:14,927
HAS A LEFT ORB
THAT IS A TOTAL ECLIPSE.

728
00:34:15,011 --> 00:34:18,806
HE DIDN'T GET IT IN THE RING,
BUT THEY SAY HIS WIFE SWINGS
A WICKED RIGHT.

729
00:34:18,890 --> 00:34:20,808
MRS. LOUISE
(BEAUTY CONTEST) CARTER,

730
00:34:20,892 --> 00:34:22,852
WHO THREATENED TO UP IN
RENO LAST WEEK,

731
00:34:22,935 --> 00:34:26,273
HAS HAD HER MARITAL
WOUNDS BANDAGED
IN A NEW ERMINE COAT.

732
00:34:26,356 --> 00:34:28,275
THE OTHER NIGHT,
I ERRONEOUSLY REPORTED

733
00:34:28,358 --> 00:34:30,902
THAT CHESTER (VICE SQUAD) BRENT,
TIGHT AS A DRUM,

734
00:34:30,985 --> 00:34:32,904
WAS THROWN OUT
OF A LOCAL SPEAK.

735
00:34:32,987 --> 00:34:36,657
AN APOLOGY IS IN ORDER.
IT WAS NOT CHESTER.
IT WAS HIS WIFE.

736
00:34:36,741 --> 00:34:39,744
I HAVE A SPECIAL TREAT
FOR YOU. AT MADISON SQUARE
GARDEN TONIGHT,

737
00:34:39,827 --> 00:34:42,830
I HAD AS MY GUEST
COLONEL JOSE MAJICA
OF THE SPANISH ARMY,

738
00:34:42,914 --> 00:34:46,918
WHO HAS CONSENTED TO SAY A
FEW WORDS. COLONEL JOSE MAJICA
OF THE SPANISH ARMY.

739
00:34:47,001 --> 00:34:50,172
[IMITATING SPANISH ACCENT]
LADIES, GENTLEMEN,
I LIKE EXHIBITION VERY MUCH.

740
00:34:50,255 --> 00:34:53,425
I ADMIRE AMERICAN SPORTSMANSHIP.

741
00:34:53,509 --> 00:34:54,967
I THANK YOU.
<i> GRACIAS, SENOR. </i>

742
00:34:55,051 --> 00:34:57,053
[USUAL VOICE]
THANK YOU, COLONEL.

743
00:34:57,137 --> 00:34:59,556
YOU'VE BEEN LISTENING
TO COLONEL JOSE MAJICA
OF THE SPANISH ARMY.

744
00:34:59,639 --> 00:35:01,974
NOW WITH A WAVE
OF THE MAGIC WAND,

745
00:35:02,058 --> 00:35:05,187
I'LL TRANSFER YOU TO
TREM PERKINS AND HIS MELODISTS
AT THE CLUB MIRAMAR, CHICAGO.

746
00:35:05,270 --> 00:35:08,648
ON WITH THE DANCE.
O.K., CHICAGO!

747
00:35:08,731 --> 00:35:10,650
[SLIDING WHISTLE]

748
00:35:14,737 --> 00:35:17,114
COULD I SEE YOU NOW,
MR. ROBERTS?

749
00:35:17,199 --> 00:35:19,116
SURE, KID.
WHAT'S ON YOUR MIND?

750
00:35:19,201 --> 00:35:21,370
WELL, I...I CAN'T
TALK TO YOU HERE.

751
00:35:21,453 --> 00:35:25,039
COULD I SEE YOU
ALONE, PLEASE?

752
00:35:25,122 --> 00:35:26,791
ALRIGHT.

753
00:35:26,874 --> 00:35:28,876
LET'S GO IN HERE.

754
00:35:38,387 --> 00:35:41,473
WELL, DOROTHY,
WHAT CAN I DO FOR YOU?

755
00:35:41,557 --> 00:35:43,308
YOU KNOW WHAT YOU
CAN DO, MR. ROBERTS.

756
00:35:43,392 --> 00:35:44,309
WHAT?

757
00:35:44,393 --> 00:35:45,726
DON'T PRINT IT.

758
00:35:45,810 --> 00:35:47,728
PLEASE, MR. ROBERTS,
DON'T PRINT IT.

759
00:35:47,812 --> 00:35:50,106
PRINT WHAT? OH...
WELL, I MEAN, UH,

760
00:35:50,190 --> 00:35:52,526
I MEAN, I MIGHT
HAVE TO, YOU KNOW.

761
00:35:52,609 --> 00:35:57,322
IF I CUT OUT EVERYTHING THAT
PEOPLE DIDN'T WANT ME TO PRINT,
HOW COULD I GET OUT A COLUMN?

762
00:35:57,406 --> 00:36:01,075
BUT YOU'VE GOT MANY
OTHER THINGS TO PRINT,
THIS WOULD BE THE END OF ME.

763
00:36:01,158 --> 00:36:03,287
HOW DID YOU FIND OUT
THAT I KNEW?

764
00:36:03,370 --> 00:36:06,706
ONE OF THE GIRLS TIPPED ME.
SHE HEARD SOMEWHERE.
I HAVEN'T SLEPT SINCE.

765
00:36:06,789 --> 00:36:10,586
I WAS GONNA JUMP OUT
THE WINDOW, THEN I THOUGHT
IF I MET YOU AND EXPLAINED--

766
00:36:10,668 --> 00:36:12,837
I GOT MY JOB
TO THINK OF.

767
00:36:12,920 --> 00:36:15,299
PLEASE, MR. ROBERTS.
MY FRIENDS SAY
YOU'RE A GOOD GUY.

768
00:36:15,382 --> 00:36:17,675
IF MY MOTHER EVER
HEARS ABOUT IT, I...

769
00:36:19,595 --> 00:36:22,722
I COULD NEVER
FACE HER AGAIN.

770
00:36:22,805 --> 00:36:24,433
I'LL PAY YOU,
MR. ROBERTS.

771
00:36:24,516 --> 00:36:26,560
I'LL DO
ANYTHING YOU SAY,
ONLY DON'T PRINT IT.

772
00:36:26,643 --> 00:36:28,270
YOUR MOTHER
MIGHT NOT EVEN SEE IT.

773
00:36:28,353 --> 00:36:30,146
SHE READS YOUR
COLUMN EVERY DAY.

774
00:36:30,230 --> 00:36:33,107
HERE IN NEW YORK?
IN TEXAS.

775
00:36:33,190 --> 00:36:35,818
WHAT DO YOU KNOW
ABOUT THAT?

776
00:36:35,902 --> 00:36:37,362
WAY DOWN THERE.

777
00:36:37,446 --> 00:36:39,697
IT WOULDN'T DO YOU
ANY GOOD, MR. ROBERTS.

778
00:36:39,780 --> 00:36:42,825
I'M SO UNIMPORTANT,
JUST A SINGER
IN A REVUE.

779
00:36:42,909 --> 00:36:44,952
NOBODY WOULD
REMEMBER 10 MINUTES
AFTER THEY READ IT--

780
00:36:45,036 --> 00:36:47,414
NOBODY BUT MY MOTHER
AND A COUPLE OF
OTHER PEOPLE.

781
00:36:47,497 --> 00:36:49,749
IF I DON'T PRINT IT,
SOMEBODY ELSE WILL.

782
00:36:49,832 --> 00:36:53,210
THEY WON'T! YOU'RE
THE ONLY ONE THAT KNOWS,
EXCEPT MY ROOMMATE.

783
00:36:53,295 --> 00:36:55,297
I'M GOING AWAY TO
THE COUNTRY SOMEPLACE.

784
00:36:55,380 --> 00:36:57,424
NOBODY WILL KNOW.

785
00:36:57,507 --> 00:37:00,302
I'M TELLING EVERYBODY
I'M GOING HOME TO VISIT
MOTHER FOR A WHILE.

786
00:37:00,385 --> 00:37:02,346
WHO'S THE GUY
THAT GOT YOU IN TROUBLE?

787
00:37:02,429 --> 00:37:05,014
I CAN'T TELL YOU THAT!
HE'D KILL ME!

788
00:37:05,097 --> 00:37:08,851
HE'S BEING GOOD TO ME, PAYING
MY WAY TO THE COUNTRY AND
FOR THE DOCTOR AND EVERYTHING.

789
00:37:08,935 --> 00:37:10,687
WELL, HE OUGHT TO.

790
00:37:10,770 --> 00:37:13,773
YOU WON'T PRINT IT.
IT WOULDN'T DO
ANYBODY ANY GOOD.

791
00:37:15,191 --> 00:37:17,944
AH, NEVER MIND.

792
00:37:18,027 --> 00:37:20,029
FORGET ALL ABOUT IT.

793
00:37:22,156 --> 00:37:24,326
OH, GEE, THANK YOU,
MR. ROBERTS.

794
00:37:24,409 --> 00:37:26,328
IF THERE'S ANYTHING
I CAN EVER DO--

795
00:37:26,411 --> 00:37:27,745
YOU HEARD ME.

796
00:37:27,828 --> 00:37:30,122
NOBODY'S GOING TO KNOW
ANYTHING ABOUT IT.

797
00:37:30,206 --> 00:37:32,417
I'LL NEVER FORGET YOU
FOR IT.

798
00:37:32,501 --> 00:37:35,671
YOU DON'T KNOW
HOW WORRIED I'VE BEEN.

799
00:37:35,753 --> 00:37:38,839
I'LL KEEP YOUR SECRET.
GET YOUR MIND ON
THIS NUMBER. YOU O.K.?

800
00:37:38,923 --> 00:37:40,592
Man: THERE'S YOUR SIGNAL,
MR. ROBERTS.

801
00:37:40,676 --> 00:37:43,679
THANK YOU, TREM PERKINS.
WELL, HERE WE ARE BACK
IN NEW YORK,

802
00:37:43,761 --> 00:37:46,473
WHERE THE BIG SKYSCRAPERS
COVER A MULTITUDE OF SKINS.

803
00:37:46,556 --> 00:37:49,476
NOW, FOLKS,
I HAVE A SPECIAL TREAT
IN STORE FOR YOU.

804
00:37:49,559 --> 00:37:53,522
MISS DOROTHY LANE,
ONE OF THE SWEETEST KIDS
IN ALL THE WIDE, WIDE WORLD,

805
00:37:53,605 --> 00:37:56,733
IS GONNA SING FOR YOU
THE NUMBER THAT SHE INTRODUCED
AT THE MIDNIGHT REVUE.

806
00:37:56,816 --> 00:37:58,901
O.K., MISS LANE.

807
00:37:58,985 --> 00:38:01,028
[MUSIC BEGINS]

808
00:38:05,701 --> 00:38:09,954
♪♪ I'LL BE WAITING
FOR A CALL FROM YOU ♪♪

809
00:38:10,037 --> 00:38:13,625
♪♪ ANY TIME AT ALL WILL DO ♪♪

810
00:38:13,709 --> 00:38:16,961
♪♪ HERE'S MY NUMBER, DEAR,
AND DON'T YOU LOSE IT ♪♪

811
00:38:17,044 --> 00:38:20,881
♪♪ AND WON'T YOU USE IT
MIGHTY SOON? ♪♪

812
00:38:20,965 --> 00:38:25,052
♪♪ AND WHEN I HEAR
MY PHONE BELL RING ♪♪

813
00:38:25,136 --> 00:38:28,848
♪♪ I WILL CANCEL EVERYTHING ♪♪

814
00:38:28,931 --> 00:38:33,019
♪♪ AND TILL IT COMES,
I'LL BE HOLDING MY THUMBS ♪♪

815
00:38:33,102 --> 00:38:34,895
♪♪ WAITING FOR A CALL FROM YOU ♪♪

816
00:38:34,979 --> 00:38:40,109
♪♪ OH, I'LL BE WAITING
FOR A CALL FROM YOU ♪♪

817
00:38:40,192 --> 00:38:43,613
♪♪ ANY TIME AT ALL WILL DO ♪♪

818
00:38:43,697 --> 00:38:47,283
♪♪ HERE'S MY NUMBER, DEAR,
AND DON'T YOU LOSE IT ♪♪

819
00:38:47,367 --> 00:38:48,493
[RING]

820
00:38:48,577 --> 00:38:49,745
HELLO.

821
00:38:49,827 --> 00:38:52,288
STE--GET THIS, STEVIE.

822
00:38:52,372 --> 00:38:55,166
THE PUNCH LINE
FOR THE MONDAY DIRT:

823
00:38:55,249 --> 00:38:58,462
MISS DOROTHY LANE,
SINGER IN THE MIDNIGHT REVUE,

824
00:38:58,545 --> 00:39:01,005
ANTICIPATES A BLESSED EVENT.

825
00:39:01,088 --> 00:39:05,009
NOW GET THE PUNCH:
WITHOUT BENEFIT OF CLERGY.

826
00:39:05,092 --> 00:39:08,805
DO I EVER FALL DOWN?
NOW, I ASK YOU.

827
00:39:12,141 --> 00:39:19,023
♪♪ WAITING FOR A CALL FROM YOU ♪♪

828
00:39:25,321 --> 00:39:27,948
HEY, THAT DIRT-SLINGER'S
GOT ME IN THE PAN AGAIN.

829
00:39:28,032 --> 00:39:29,701
GET THIS:

830
00:39:29,785 --> 00:39:33,037
SYLVIA PIERSON'S
NEW ORCHID SUPPLIER
IS A BIG-TIME RACKETEER,

831
00:39:33,120 --> 00:39:36,082
ONLY SHE DON'T KNOW IT.

832
00:39:36,165 --> 00:39:39,503
I THOUGHT
FRANKIE WAS GOING TO
TAKE CARE OF HIM.

833
00:39:48,385 --> 00:39:51,556
THAT GUY ROBERTS WON'T
LAY OFF. THOUGHT YOU WERE
GONNA TALK TO HIM.

834
00:39:51,640 --> 00:39:53,390
GIVE ME TIME, SAM.

835
00:39:53,475 --> 00:39:55,769
YOU'VE HAD A MONTH.
ARE YOU FEEDING HIM
SLOW POISON?

836
00:39:55,852 --> 00:39:58,145
I GOT TO BE CAREFUL, SAM.
CAREFUL. YOU'RE STALLING.

837
00:39:58,229 --> 00:40:01,273
GO AND TALK
TO THAT MUG NOW.

838
00:40:01,357 --> 00:40:04,026
ONE MORE CRACK ABOUT ME,
AND HE'S FLIRTING
WITH THE UNDERTAKER.

839
00:40:04,110 --> 00:40:07,113
I'LL TELL HIM, BUT I GOT--
YOU WANT ME TO SEND JOE?

840
00:40:07,196 --> 00:40:08,824
SEND ME,
I'LL MAKE QUICK WORK OF IT.

841
00:40:08,906 --> 00:40:10,700
DON'T SEND JOE.
I'LL GO.

842
00:40:10,784 --> 00:40:13,495
ALRIGHT, GO ON!
DON'T STAND THERE
TALKING ABOUT IT.

843
00:40:18,165 --> 00:40:20,000
LEAVE IT TO ME, SAM.

844
00:40:23,337 --> 00:40:25,381
[DOOR BUZZER]

845
00:40:30,386 --> 00:40:31,929
HERE'S
MR. ROBERTS' COAT.

846
00:40:32,012 --> 00:40:33,931
OH, THANK YOU.
CAN I SEE HIM?

847
00:40:34,014 --> 00:40:36,183
SHH! NO.
HE'S STILL ASLEEP.

848
00:40:36,267 --> 00:40:37,894
IT'S ALRIGHT, MOM.
I'M UP.

849
00:40:37,977 --> 00:40:40,062
HELLO, GEORGE.
WHAT DO YOU KNOW
THAT I DON'T?

850
00:40:40,146 --> 00:40:42,732
YOU KNOW THAT LADY
LECTURER ON THE 15th
FLOOR-- LAURA DWIGHT?

851
00:40:42,816 --> 00:40:44,984
MM-HMM.
WHAT ABOUT HER?

852
00:40:45,067 --> 00:40:48,697
THIS MORNING ABOUT 3:00,
SHE THREW A BOTTLE OF GIN
OUT AND HIT A TAXICAB.

853
00:40:48,780 --> 00:40:51,073
WAS SHE SORE AT
THE TAXICAB OR THE GIN?

854
00:40:51,157 --> 00:40:53,033
THE GIN'S ALRIGHT.
HER AIM WAS BAD.

855
00:40:53,117 --> 00:40:54,661
SHE MISSED
THE BOYFRIEND.

856
00:40:54,744 --> 00:40:56,663
WHAT BOYFRIEND?
I DON'T KNOW HIS NAME.

857
00:40:56,746 --> 00:40:59,123
THAT'S THE STORY, YOU DOPE.
MAYBE I CAN FIND OUT.

858
00:40:59,206 --> 00:41:02,168
YOU BETTER
IF YOU WANT TO COLLECT.

859
00:41:02,251 --> 00:41:03,753
[DOOR BUZZER]

860
00:41:08,758 --> 00:41:11,636
OH, HELLO, FRANKIE.
MOM, ENTERTAIN MR. WELLS,
WILL YOU?

861
00:41:11,720 --> 00:41:13,429
I'LL BE OUT
IN A MINUTE.

862
00:41:13,513 --> 00:41:15,472
WON'T YOU SIT DOWN?

863
00:41:27,985 --> 00:41:30,864
YOU KNOW, I NEVER CAN
GET USED TO ALVIN

864
00:41:30,947 --> 00:41:33,199
ALWAYS GETTING UP
IN THE DARK,

865
00:41:33,282 --> 00:41:35,326
BUT THAT'S
THE NEWSPAPER BUSINESS.

866
00:41:35,409 --> 00:41:39,038
ARE YOU A NEWSPAPERMAN,
TOO, MR. WELLS?

867
00:41:39,121 --> 00:41:43,627
WELL, I USED TO
SELL THEM IN CHICAGO
BEFORE PROHIBITION.

868
00:41:43,710 --> 00:41:47,171
IS THAT SO? WHAT'S
YOUR BUSINESS NOW?

869
00:41:47,254 --> 00:41:50,466
WHY, I'M A...
A PROMOTER.

870
00:41:50,550 --> 00:41:51,843
A PROMOTER?

871
00:41:51,927 --> 00:41:56,055
YEAH, I, UH,
YOU KNOW, PROMOTE.

872
00:41:56,138 --> 00:41:59,141
LIKE A SCHOOLTEACHER,
YOU MEAN?

873
00:41:59,225 --> 00:42:01,518
WELL...YEAH.

874
00:42:01,603 --> 00:42:03,939
I WISH YOU'D BEEN
ALVIN'S TEACHER.

875
00:42:04,021 --> 00:42:06,398
HE HAD SO MUCH TROUBLE
THAT WAY.

876
00:42:06,482 --> 00:42:07,901
IS THAT SO?

877
00:42:07,984 --> 00:42:10,152
YES. HE WAS A GOOD BOY,

878
00:42:10,236 --> 00:42:13,155
BUT THEY NEVER SEEMED
TO WANT TO PROMOTE HIM.

879
00:42:13,239 --> 00:42:15,366
SAY, I GOT
A KID LIKE THAT.

880
00:42:15,449 --> 00:42:19,788
YOU HAVE? WHY,
I WOULDN'T HAVE SAID
YOU WERE MARRIED.

881
00:42:19,871 --> 00:42:23,082
ME? SURE.
I GOT A WIFE AND 2 KIDS.

882
00:42:23,165 --> 00:42:28,254
THE BOY--HE'S 9...
I THINK. 9 OR 10.

883
00:42:28,337 --> 00:42:29,923
AND MARIE--SHE'S 4.

884
00:42:30,006 --> 00:42:31,925
MY, QUITE A FAMILY.

885
00:42:32,008 --> 00:42:35,011
UH-HUH. A FAMILY'S
A GREAT THING, ESPECIALLY
FOR A MARRIED MAN.

886
00:42:35,094 --> 00:42:37,388
I'M GLAD TO HEAR YOU
SAY THAT.

887
00:42:37,471 --> 00:42:40,182
SURE. LOTS OF GUYS
BUM AROUND AND THROW AWAY
THEIR JACK.

888
00:42:40,266 --> 00:42:43,895
ME--WHEN I GET THROUGH
ME DAY'S WORK, I GO HOME.

889
00:42:43,979 --> 00:42:47,106
THAT WAS JUST LIKE
MR. ROBERTS, TOO.

890
00:42:47,189 --> 00:42:48,817
THAT'S HIM UP THERE.

891
00:42:48,900 --> 00:42:51,611
A GOOD MAN IF THERE
EVER WAS ONE.

892
00:42:51,695 --> 00:42:54,571
ONE OF NATURE'S
NOBLEMEN,
YOU MIGHT SAY.

893
00:42:54,656 --> 00:42:55,991
YEAH?

894
00:42:56,073 --> 00:42:57,993
EVEN WHEN HE WAS
DRINKING THE MOST,

895
00:42:58,075 --> 00:43:00,202
HE NEVER FORGOT
MY BIRTHDAY.

896
00:43:00,286 --> 00:43:01,871
HE'S, UH...

897
00:43:03,455 --> 00:43:05,124
PASSED ON, I SUPPOSE.

898
00:43:05,207 --> 00:43:08,878
YES. 10 YEARS AGO.

899
00:43:08,962 --> 00:43:10,254
BUMPED OFF?

900
00:43:10,337 --> 00:43:12,757
YES, OFF A LADDER.

901
00:43:14,466 --> 00:43:16,385
YOU KNOW,
HE WAS A PAINTER.

902
00:43:16,468 --> 00:43:17,804
OH, THAT'S TOUGH.

903
00:43:17,887 --> 00:43:18,805
WHY?

904
00:43:18,888 --> 00:43:20,389
I MEAN
ABOUT THE LADDER.

905
00:43:20,472 --> 00:43:21,390
OH.

906
00:43:21,473 --> 00:43:23,768
IT JUST GOES TO SHOW.

907
00:43:23,852 --> 00:43:26,312
YES. DOESN'T IT?

908
00:43:26,395 --> 00:43:28,857
IT CERTAINLY DOES.

909
00:43:35,487 --> 00:43:37,824
DO YOU LIKE THE RADIO,
MR. WELLS?

910
00:43:37,907 --> 00:43:39,826
I CAN TAKE IT
OR LEAVE IT.

911
00:43:39,909 --> 00:43:42,662
THAT'S A NEW ONE--
A PRESENT FROM ALVIN.

912
00:43:42,746 --> 00:43:45,957
OH, IT'S BEEN
SUCH A COMFORT TO ME.

913
00:43:46,041 --> 00:43:48,001
OH, I WONDER
WHAT THE TIME IS.

914
00:43:48,084 --> 00:43:49,961
MY GOODNESS!
WE ALMOST MISSED IT.

915
00:43:50,045 --> 00:43:51,545
MISSED WHAT?

916
00:43:51,628 --> 00:43:54,548
<i> THE BUNNY HARMON HOUR. </i>
IT'S ON RIGHT NOW.

917
00:43:59,178 --> 00:44:00,764
Radio announcer:
THE SHAPIRO SHOE HOUR,

918
00:44:00,847 --> 00:44:03,016
BUNNY HARMON AND HIS
GREEN MOUNTAIN BOYS IN PERSON,

919
00:44:03,099 --> 00:44:05,476
BROUGHT TO YOU EVERY DAY
AT THIS HOUR BY SHAPIRO,

920
00:44:05,559 --> 00:44:07,519
MAKER OF THE FAMOUS
SHAPIRO SHOES,

921
00:44:07,603 --> 00:44:09,271
THE WORLD'S GREATEST
$5.00 SHOE VALUE.

922
00:44:09,355 --> 00:44:10,940
HERE THEY ARE.

923
00:44:11,024 --> 00:44:12,608
[MUSIC PLAYING]

924
00:44:28,582 --> 00:44:33,670
♪♪ BE SURE YOU SEE THE NAME
SHAPIRO ON YOUR SHOE ♪♪

925
00:44:33,755 --> 00:44:37,591
♪♪ IT'S THE RIGHT SHOE
FOR THE RIGHT FOOT ♪♪

926
00:44:37,674 --> 00:44:41,888
♪♪ AND THE LEFT FOOT, TOO ♪♪

927
00:44:41,971 --> 00:44:46,558
♪♪ YOU'LL BE A HERO
IF YOU WEAR SHAPIRO SHOES ♪♪

928
00:44:46,642 --> 00:44:51,355
♪♪ WALKING ON AIR,
FREE FROM ALL CARE ♪♪

929
00:44:51,438 --> 00:44:55,192
♪♪ 10 BABY FINGERS
MAY DO WHAT THEY CHOOSE ♪♪

930
00:44:55,275 --> 00:45:01,866
♪♪ BUT 10 BABY TOES
DEMAND SHAPIRO SHOES ♪♪

931
00:45:01,950 --> 00:45:06,620
♪♪ SO TAKE A TIP FROM MOTHER,
CHASE AWAY THOSE BLUES ♪♪

932
00:45:06,703 --> 00:45:11,167
♪♪ AND WEAR SHAPIRO SHOES ♪♪

933
00:45:11,250 --> 00:45:15,712
♪♪ OH, IT'S GOOD-BYE, BLUES,
IF YOU CHOOSE ♪♪

934
00:45:15,797 --> 00:45:18,842
♪♪ THOSE GENUINE SHAPIRO ♪♪

935
00:45:18,925 --> 00:45:22,636
♪♪ THOSE GUARANTEED SHAPIRO ♪♪

936
00:45:22,719 --> 00:45:29,268
♪♪ AMERICAN SHAPIRO SHOES ♪♪

937
00:45:33,439 --> 00:45:36,025
DON'T YOU LIKE IT,
MR. WELLS?

938
00:45:38,778 --> 00:45:40,654
IT AIN'T BAD.

939
00:45:40,737 --> 00:45:43,116
HOW ARE THE SHOES?
ANY GOOD?

940
00:45:43,199 --> 00:45:45,451
Radio announcer:
MILLIONS HAVE ASKED THAT SOMEDAY
THEY'LL HEAR THE VOICE

941
00:45:45,534 --> 00:45:49,164
OF THE MAN WHO NOT ONLY GIVES
THEM THE WORLD'S GREATEST
$5.00 SHOE VALUE,

942
00:45:49,246 --> 00:45:52,167
BUT WHO BROUGHT
INTO THEIR HEARTS
THE VOICE OF BUNNY HARMON.

943
00:45:52,249 --> 00:45:55,627
TONIGHT, THAT MAN IS
IN THE STUDIO AND HAS
CONSENTED TO SPEAK TO YOU.

944
00:45:55,711 --> 00:45:59,631
IT'S MY PLEASURE TO INTRODUCE AT
THIS TIME THE PRESIDENT
OF THE SHAPIRO SHOE COMPANY:

945
00:45:59,715 --> 00:46:01,217
MR. MORRIS SHAPIRO.

946
00:46:01,300 --> 00:46:03,094
[BAND PLAYS FANFARE]

947
00:46:05,805 --> 00:46:07,098
HELLO, EVERYBODY!

948
00:46:07,182 --> 00:46:08,724
AH, THAT'S SPLENDID.

949
00:46:08,808 --> 00:46:11,019
IT WAS INDEED
A PLEASURE.

950
00:46:11,102 --> 00:46:13,021
THANK YOU, MR. SHAPIRO.

951
00:46:13,104 --> 00:46:15,647
THAT WAS MR. SHAPIRO
HIMSELF.

952
00:46:15,731 --> 00:46:20,319
AND NOW BUNNY HARMON
AND HIS GREEN MOUNTAIN BOYS
WILL AGAIN ENTERTAIN YOU.

953
00:46:20,402 --> 00:46:22,238
[ONE NOTE SOUNDS]

954
00:46:22,321 --> 00:46:26,658
♪♪ TOO MANY TEARS ♪♪

955
00:46:26,742 --> 00:46:28,702
♪♪ EACH NIGHT I GO TO BED ♪♪

956
00:46:28,785 --> 00:46:31,122
♪♪ I LAY AWAKE AND SHED ♪♪

957
00:46:31,206 --> 00:46:34,042
♪♪ TOO MANY TEARS ♪♪

958
00:46:34,125 --> 00:46:37,794
♪♪ YOUR MEMORY IS BRINGING ME ♪♪

959
00:46:37,879 --> 00:46:41,340
♪♪ TOO MANY TEARS ♪♪

960
00:46:41,423 --> 00:46:44,718
OH, ALVIN,
WHAT MADE YOU
TURN IT OFF?

961
00:46:44,801 --> 00:46:47,554
HOW MANY TIMES
HAVE I TOLD YOU?
THAT GUY'S POISON TO ME.

962
00:46:47,638 --> 00:46:49,598
BUT HE'S GOT
SUCH A SWEET
VOICE, ALVIN.

963
00:46:49,681 --> 00:46:52,018
ARE YOU SURE
IT'S THE SAME
BUNNY HARMON?

964
00:46:52,101 --> 00:46:54,520
SURE, I'M SURE.

965
00:46:54,603 --> 00:46:55,939
HELLO, FRANKIE.
HELLO.

966
00:46:56,022 --> 00:46:58,315
I'VE BEEN HAVING
A NICE VISIT
WITH MR. WELLS.

967
00:46:58,398 --> 00:47:00,692
NOW I'M GONNA HAVE
A VISIT WITH HIM MYSELF.

968
00:47:00,776 --> 00:47:04,363
YOU DON'T MIND, DO YOU?
NO, OF COURSE NOT. HE'S SO NICE.

969
00:47:04,446 --> 00:47:07,741
I WISH MORE
OF YOUR FRIENDS WERE
LIKE HIM, ALVIN.

970
00:47:07,824 --> 00:47:08,952
GOOD-BYE, MR. WELLS.

971
00:47:09,035 --> 00:47:10,410
Frankie: GOOD-BYE,
MRS. ROBERTS.

972
00:47:10,494 --> 00:47:12,538
GIVE MY LOVE
TO THE CHILDREN.

973
00:47:16,042 --> 00:47:16,960
[DOOR CLOSES]

974
00:47:17,043 --> 00:47:18,627
WHAT DO
YOU KNOW?

975
00:47:18,710 --> 00:47:21,380
GOBEL'S ON MY TAIL
FOR NOT PUTTING
THE WORKS ON YOU.

976
00:47:21,463 --> 00:47:24,383
YOU CAME TO TELL THAT?
I'M AFRAID HE MIGHT GET WISE.

977
00:47:24,466 --> 00:47:26,177
WHO'S GONNA TELL HIM
IF YOU DON'T?

978
00:47:26,261 --> 00:47:28,888
NOBODY, I GUESS,
BUT BE CAREFUL, WILL YOU?

979
00:47:28,972 --> 00:47:31,640
CAREFUL?
DID YOU EVER HEAR OF
THE POWER OF THE PRESS?

980
00:47:31,723 --> 00:47:34,143
WHAT IS IT?
A MOVIE?

981
00:47:34,227 --> 00:47:36,187
NO. IT'S EVEN MORE
COCKEYED THAN THAT.

982
00:47:36,271 --> 00:47:39,773
IT'S WHAT LETS BIRDS LIKE ME
MAKE SUCKERS OUT OF BIRDS
LIKE YOU AND GOBEL.

983
00:47:41,317 --> 00:47:42,902
EVERYTHING JAKE
AT THE CHATEAU HARMONY?

984
00:47:42,986 --> 00:47:45,071
I GOT IT FIXED.
NOW YOU'RE TALKING.

985
00:47:45,154 --> 00:47:49,658
I GREASED THE HEAD CHEF,
IT'S A PIE FOR YOU TO GET IN,
I DON'T SEE WHY YOU WANNA.

986
00:47:49,741 --> 00:47:52,912
LOOK, I GOT IT
ALL DRAWN OUT.
HERE'S THE ALLEY, SEE?

987
00:47:52,996 --> 00:47:54,998
THIS IS THE DELIVERY DOOR
BY THE KITCHEN.

988
00:47:55,081 --> 00:47:58,126
EMIL--THE HEAD CHEF--
WILL BE WAITING FOR YOU
AT 11:30 SHARP.

989
00:47:58,209 --> 00:48:00,962
WHERE DO I GO FROM THERE?
EMIL WILL PUT YOU WISE.

990
00:48:01,045 --> 00:48:04,048
HE'S GONNA SNEAK YOU
INTO A PRIVATE ROOM
RESERVED FOR THE PRESS.

991
00:48:04,132 --> 00:48:05,591
[TELEPHONE RINGS]

992
00:48:08,468 --> 00:48:10,054
HELLO.

993
00:48:10,138 --> 00:48:12,223
MR. ROBERTS,
MISS DOROTHY LANE
IN THE LOBBY.

994
00:48:12,307 --> 00:48:15,517
UH...TELL HER
I'M NOT IN.

995
00:48:17,228 --> 00:48:19,981
I DON'T CARE IF SHE'S
BEEN THERE FOR A WEEK.

996
00:48:20,064 --> 00:48:21,565
TELL HIM I'VE
GOT TO SEE HIM.

997
00:48:21,648 --> 00:48:23,483
SHE SAYS
IT'S VERY IMPORTANT.

998
00:48:23,567 --> 00:48:25,611
ALRIGHT.
TELL HER TO WAIT, THEN.

999
00:48:33,785 --> 00:48:35,746
GEE, I'M ROTTEN.

1000
00:48:35,829 --> 00:48:39,167
THERE'S A GIRL WAITING
FOR ME WHO'S GOT PLENTY
TO SEE ME ABOUT.

1001
00:48:39,250 --> 00:48:43,046
OF ALL THE DIRT I'VE SPILLED
ABOUT PEOPLE, THIS IS ONE
THING I WISH I HADN'T.

1002
00:48:43,129 --> 00:48:45,881
WHAT'S SHE GONNA DO?
WHATEVER IT IS, I GOT IT COMING.

1003
00:48:45,965 --> 00:48:48,301
SAY, YOU DON'T THINK
SHE MIGHT BE GONNA--

1004
00:48:48,384 --> 00:48:49,926
SHE MIGHT.

1005
00:48:50,011 --> 00:48:51,595
AS BAD AS THAT, HUH?

1006
00:48:51,678 --> 00:48:54,349
SHALL I THROW A SCARE
INTO HER ON THE WAY OUT?

1007
00:48:54,431 --> 00:48:55,766
NO, NEVER MIND.

1008
00:48:55,849 --> 00:48:57,601
NO TROUBLE, YOU KNOW.

1009
00:48:57,684 --> 00:49:01,688
I TOLD YOU TO LAY OFF!
I'M JUST TRYING TO HELP YOU.

1010
00:49:09,946 --> 00:49:12,866
SAY, THE GUY THAT DODGED
THAT GIN BOTTLE WAS
ARTHUR Q. BROWNE.

1011
00:49:12,949 --> 00:49:14,285
THE LAWYER?
RIGHT.

1012
00:49:14,369 --> 00:49:16,037
THAT MAKES 2 BUCKS
I OWE YOU.

1013
00:49:16,120 --> 00:49:17,372
THANKS, MR. ROBERTS.

1014
00:49:17,454 --> 00:49:19,790
OH, SAY...

1015
00:49:19,873 --> 00:49:24,253
TELL THE CLERK TO WATCH
THAT GIRL THAT'S WAITING FOR ME.
TRY AND GET RID OF HER.

1016
00:49:24,337 --> 00:49:26,130
OH, TELL HER
I'VE GONE OUT--ANYTHING!

1017
00:49:26,214 --> 00:49:27,673
O.K.

1018
00:49:30,467 --> 00:49:31,635
WHERE'S MR. WELLS?

1019
00:49:31,718 --> 00:49:33,179
HE'S GONE.

1020
00:49:33,262 --> 00:49:35,390
OH, HE'S SUCH
A NICE MAN.

1021
00:49:35,472 --> 00:49:37,141
I GOTTA DRESS.
WHAT TIME IS IT?

1022
00:49:37,225 --> 00:49:39,726
<i> THE BUNNY HARMON HOUR. </i>

1023
00:49:42,646 --> 00:49:44,940
YOU'RE JUST DYING
TO GET BACK TO THAT RADIO

1024
00:49:45,024 --> 00:49:47,318
AND HEAR THAT PET CANARY
CROON SOME MORE.

1025
00:49:47,402 --> 00:49:50,529
HA HA HA!
YOU ARE, TOO.

1026
00:49:50,612 --> 00:49:54,283
ALRIGHT.
I GOT TO TAKE MY SHOWER.

1027
00:49:54,367 --> 00:49:57,453
WHEN YOU HEAR THE
WATER RUNNING, TURN HIM ON,
BUT NOT TOO LOUD.

1028
00:49:57,536 --> 00:49:59,455
I WON'T.
THAT'S A PROMISE?

1029
00:49:59,538 --> 00:50:00,456
MM-HMM.

1030
00:50:00,539 --> 00:50:01,748
HA HA HA!

1031
00:50:08,547 --> 00:50:10,216
[SHOWER RUNNING]

1032
00:50:12,843 --> 00:50:14,010
[MUSIC PLAYING]

1033
00:50:14,095 --> 00:50:18,014
♪♪ TOO MANY TEARS ♪♪

1034
00:50:18,099 --> 00:50:20,101
♪♪ I WASTED LOVING YOU ♪♪

1035
00:50:20,184 --> 00:50:22,602
♪♪ AND YOU KNOW I WAS TRUE ♪♪

1036
00:50:22,686 --> 00:50:25,856
♪♪ TOO MANY TEARS ♪♪

1037
00:50:25,939 --> 00:50:29,985
♪♪ I CARED A LOT,
WHAT HAVE I GOT? ♪♪

1038
00:50:30,069 --> 00:50:34,449
♪♪ TOO MANY TEARS... ♪♪

1039
00:50:34,531 --> 00:50:36,616
[DOOR BUZZER]

1040
00:50:40,620 --> 00:50:42,706
♪♪ ...THE ONLY THING
I DIDN'T TRY ♪♪

1041
00:50:42,789 --> 00:50:44,708
♪♪ BUT I FOUND-- ♪♪

1042
00:50:48,545 --> 00:50:50,465
OH, GOOD EVENING,
MISS STEVENS.

1043
00:50:50,547 --> 00:50:52,383
HELLO, MRS. ROBERTS.
IS ALVIN UP?

1044
00:50:52,467 --> 00:50:54,593
YES. HE'S DRESSING
IN THERE.

1045
00:50:54,676 --> 00:50:56,471
WELL, I'LL LEAVE
THESE PROOFS FOR HIM.

1046
00:50:56,553 --> 00:50:58,389
CAN'T YOU STAY
AWHILE?

1047
00:50:58,473 --> 00:51:02,017
NO, THANKS.
I'VE GOT TO GET BACK TO WHAT
WE PLAYFULLY CALL THE PAPER.

1048
00:51:02,101 --> 00:51:03,018
[DOOR BUZZER]

1049
00:51:03,102 --> 00:51:04,686
COME IN.

1050
00:51:04,770 --> 00:51:06,772
A MESSAGE FOR MR. ROBERTS.
I'LL TAKE IT.

1051
00:51:06,855 --> 00:51:09,024
IT'S MARKED "IMPORTANT.
CONFIDENTIAL. RUSH."

1052
00:51:09,108 --> 00:51:10,443
I THOUGHT IT MIGHT
MEAN SOMETHING.

1053
00:51:10,526 --> 00:51:12,195
DID YOU FIGURE THAT
OUT FOR YOURSELF?

1054
00:51:12,278 --> 00:51:13,570
YES'M.

1055
00:51:13,653 --> 00:51:15,572
IT'S AMAZING.
IT'S FROM THE
<i> STAR. </i>

1056
00:51:15,655 --> 00:51:17,574
WHAT DO YOU SUPPOSE
THEY WANT?

1057
00:51:17,657 --> 00:51:20,035
I'D OPEN IT AND FIND OUT,
BUT IT SAYS "CONFIDENTIAL."

1058
00:51:20,119 --> 00:51:22,037
AIN'T YOU
THAT KIND OF
A SECRETARY?

1059
00:51:22,121 --> 00:51:24,623
I'M SUPPOSED TO BE,
BUT THIS HAS SEALING WAX.

1060
00:51:24,706 --> 00:51:26,417
WHAT DIFFERENCE
DOES THAT MAKE?

1061
00:51:26,501 --> 00:51:28,503
I DON'T KNOW,
BUT IT DOES.

1062
00:51:28,585 --> 00:51:30,505
DO YOU THINK
ALVIN COULD COME OUT?

1063
00:51:30,587 --> 00:51:32,465
I DON'T KNOW.
I'LL GO AND SEE.

1064
00:51:34,425 --> 00:51:35,343
[KNOCK KNOCK]

1065
00:51:35,426 --> 00:51:36,260
ALVIN?

1066
00:51:36,344 --> 00:51:37,969
YES, MOM?

1067
00:51:38,053 --> 00:51:40,639
THERE'S A LETTER OUT HERE
THAT HAS SEALING WAX ON IT,

1068
00:51:40,722 --> 00:51:43,184
AND MISS STEVENS
IS AFRAID TO OPEN IT.

1069
00:51:43,267 --> 00:51:45,186
WHAT'S THE MATTER
WITH IT?

1070
00:51:45,269 --> 00:51:49,357
IT HAS SEALING WAX,
DEAR, AND IT SAYS THINGS
ON THE OUTSIDE.

1071
00:51:49,440 --> 00:51:51,150
SAYS WHAT?

1072
00:51:51,234 --> 00:51:55,321
"CONFIDENTIAL"
AND "RUSH."
IT'S FROM THE
<i> STAR. </i>

1073
00:51:55,404 --> 00:51:56,947
LET ME SEE IT.

1074
00:51:59,158 --> 00:52:01,034
WHAT IS THE
<i> STAR? </i>

1075
00:52:01,117 --> 00:52:03,995
DON'T YOU REMEMBER THE PAPER
THAT PRINTED THAT
MEAN PIECE ABOUT HIM?

1076
00:52:04,079 --> 00:52:07,874
YES, BUT NOBODY READS IT.
IT HASN'T ANY
PICTURES IN IT.

1077
00:52:07,958 --> 00:52:12,045
THE
<i> STAR </i>
HAS MADE ME AN OFFER!
THE
<i> STAR </i>
HAS MADE ME AN OFFER!

1078
00:52:12,128 --> 00:52:13,922
WHAT'S THE MATTER
WITH YOU?

1079
00:52:14,005 --> 00:52:17,133
LAST WEEK, THEY CALLED ME
A NADIR. THIS WEEK,
THEY OFFER ME A JOB.

1080
00:52:17,218 --> 00:52:18,635
NO! HONEST?

1081
00:52:18,718 --> 00:52:20,720
LOOK AT THAT, STEVIE.
YOU REMEMBER THAT EDITORIAL--

1082
00:52:20,804 --> 00:52:22,973
"A STENCH IN THE NOSTRILS
OF AMERICAN JOURNALISM"?

1083
00:52:23,056 --> 00:52:26,435
LOOKS LIKE THEY'VE DECIDED
THE COLUMN DOESN'T SMELL
AS BAD AS IT DID LAST WEEK.

1084
00:52:26,519 --> 00:52:28,271
[DOOR BUZZER]

1085
00:52:28,354 --> 00:52:31,731
SEE WHO IT IS.
MAYBE ANOTHER OFFER.
MIGHT BE FROM THE
<i> RECORD. </i>

1086
00:52:35,110 --> 00:52:36,612
GOOD EVENING.

1087
00:52:36,695 --> 00:52:39,072
WHY, HELLO, LOUIE.

1088
00:52:39,155 --> 00:52:41,867
UH, MOM, THIS IS MR. MILLER.
HE OWNS THE PAPER.

1089
00:52:41,950 --> 00:52:43,619
ALVIN'S PAPER?

1090
00:52:43,702 --> 00:52:45,662
YOU'D THINK
IT WAS HIS,
THE WAY HE ACTS.

1091
00:52:45,745 --> 00:52:48,039
MR. MILLER'S VERY FOND OF ME,
BUT DOESN'T SHOW.

1092
00:52:48,123 --> 00:52:50,876
I'M IN NO MOOD FOR JOKES.
DON'T YOU COME
TO OFFICE ANYMORE?

1093
00:52:50,959 --> 00:52:52,878
I HAVE A BETTER
PLACE TO GO.

1094
00:52:52,961 --> 00:52:54,713
YOU MEAN
THE CHATEAU HARMONY.
YOU CAN'T GO.

1095
00:52:54,796 --> 00:52:56,882
WHAT DO YOU MEAN?
SHAPIRO THE SHOE MAN.

1096
00:52:56,965 --> 00:52:58,925
WILL TAKE OUT HIS ADS
IF I DO.

1097
00:52:59,009 --> 00:53:01,220
HE SPENDS
75.000 A YEAR WITH US.

1098
00:53:01,304 --> 00:53:04,097
HE'LL KEEP ON SPENDING IT.
HE WOULDN'T DARE
GIVE UP THE
<i> EXPRESS. </i>

1099
00:53:04,180 --> 00:53:06,099
WHY NOT? YOU GOT
SOMETHING ON HIM?

1100
00:53:06,182 --> 00:53:09,144
NO, BUT ONLY
AN
<i> EXPRESS </i>
READER WOULD
WEAR HIS PUNK PAPER SHOES.

1101
00:53:09,228 --> 00:53:10,770
Mother: WHY,
ALVIN ROBERTS.

1102
00:53:10,854 --> 00:53:13,064
THIS IS MY FOURTH PAIR.

1103
00:53:13,148 --> 00:53:15,108
SEE HOW LONG
THEY LAST?

1104
00:53:15,191 --> 00:53:17,068
IF YOU GO THERE,
IT BREAKS
YOUR CONTRACT.

1105
00:53:17,152 --> 00:53:19,070
ARE YOU SURE?
POSITIVELY.

1106
00:53:19,154 --> 00:53:22,741
WHY SHOULD I PAY YOU
500 A WEEK TO KNOCK ADS
OUT OF MY PAPER?

1107
00:53:22,824 --> 00:53:24,535
YOU WOULDN'T THROW ME OUT.
RIGHT THIS MINUTE.

1108
00:53:24,619 --> 00:53:26,703
ME WITH AN OLD MOTHER
TO SUPPORT?

1109
00:53:26,786 --> 00:53:29,332
NOT SO OLD, ALVIN.

1110
00:53:29,415 --> 00:53:31,082
YOU DON'T
HAVE TO GO THERE.

1111
00:53:31,166 --> 00:53:34,462
I MUST. I PROMISED
MY PUBLIC, AND MY HONOR
IS AT STAKE.

1112
00:53:34,545 --> 00:53:37,964
A FINE TIME TO BE GETTING
HONOR. IF YOU GO TO THAT
CLUB, WE'RE THROUGH.

1113
00:53:38,048 --> 00:53:41,801
YOU'VE FORCED ME TO REVEAL
SOMETHING I'D HOPED TO KEEP
FROM YOU,

1114
00:53:41,885 --> 00:53:43,679
SOMETHING STRICTLY
CONFIDENTIAL.

1115
00:53:43,762 --> 00:53:44,930
WHAT?

1116
00:53:45,013 --> 00:53:47,683
THE LETTER. STEVENS,
SHOW HIM THE LETTER.

1117
00:53:47,766 --> 00:53:50,977
THEY SAID NO ONE MUST SEE IT.
BUT HE'S A HARD MAN.

1118
00:53:51,061 --> 00:53:53,146
A HARD MAN.

1119
00:53:53,229 --> 00:53:54,898
WHAT ARE YOU
GONNA DO ABOUT THIS?

1120
00:53:54,981 --> 00:53:56,651
TAKE IT, NOW THAT
MY CONTRACT'S GONE.

1121
00:53:56,733 --> 00:53:58,653
IT ISN'T,
I'LL HOLD YOU TO IT.

1122
00:53:58,735 --> 00:54:01,196
IT'S UP IN A MONTH.
YOU'RE GOING TO THE
<i> STAR? </i>

1123
00:54:01,280 --> 00:54:02,615
UNLESS YOU CAN
MEET THEIR TERMS.

1124
00:54:02,698 --> 00:54:04,866
BUT 1.000 A WEEK--
HOW CAN I?

1125
00:54:04,950 --> 00:54:06,952
WITH MONEY.
GIMME TIME TO THINK IT OVER.

1126
00:54:07,035 --> 00:54:08,663
CAN'T. GOT TO
GIVE THEM AN ANSWER.

1127
00:54:08,745 --> 00:54:10,956
ALRIGHT, WE'LL PAY IT,
YOU ROBBER.

1128
00:54:11,039 --> 00:54:13,501
THAT'S THE SPIRIT,
LOUIE.

1129
00:54:13,584 --> 00:54:15,586
MOM, SEE HOW
FOND HE IS OF ME?

1130
00:54:15,670 --> 00:54:18,297
THEN I CAN TEAR IT UP?
NO. THAT'S MY TUESDAY COLUMN.

1131
00:54:18,381 --> 00:54:20,090
BUT I THOUGHT
IT WAS CONFIDENTIAL.

1132
00:54:20,173 --> 00:54:22,884
A NADIR NEVER FORGETS.
IT'S AN OLD
ARABIAN CUSTOM:

1133
00:54:22,968 --> 00:54:25,346
A NADIR NEVER FORGETS.

1134
00:54:29,766 --> 00:54:32,060
WHAT WELL-KNOWN LAWYER
IS FREQUENTLY SEEN

1135
00:54:32,143 --> 00:54:34,689
ENTERING THE PENTHOUSE APARTMENT
OF A CERTAIN BLONDE

1136
00:54:34,771 --> 00:54:38,401
IN THE B.V.D. HOURS
OF THE NIGHT? QUESTION MARK.

1137
00:54:38,484 --> 00:54:40,944
THE JOHN THOMAS COREYS
OF PARK AVENUE

1138
00:54:41,027 --> 00:54:43,947
EXPECT 2 BLESSED EVENTS
ON NEXT APRIL THE FIRST.

1139
00:54:44,030 --> 00:54:47,618
THE JOKE'S ON SOMEBODY!!
EXCLAMATION POINTS.

1140
00:55:09,931 --> 00:55:12,727
WELL, DOROTHY,
WHAT GOOD IS THIS
GOING TO DO YOU?

1141
00:55:12,809 --> 00:55:15,438
PLENTY. FOR ONCE,
I'M GOING TO GET
A CLOSEUP

1142
00:55:15,521 --> 00:55:19,442
OF A 24-KARAT,
100% RAT.

1143
00:55:19,525 --> 00:55:21,527
I GUESS YOU'RE RIGHT.

1144
00:55:21,610 --> 00:55:24,320
YOU'RE NOT THE ONLY ONE
IN THE WORLD. I'VE MET
PLENTY OF OTHERS,

1145
00:55:24,405 --> 00:55:26,782
BUT YOU'RE THE ONLY
COMPLETE ONE I EVER
BUMPED INTO.

1146
00:55:26,865 --> 00:55:28,659
I WISH IT NEVER HAPPENED.

1147
00:55:28,743 --> 00:55:31,119
WHAT DID YOU DO IT FOR?
I COULDN'T HELP IT.

1148
00:55:31,202 --> 00:55:33,163
WOULDN'T HAVE PRINTED
IF YOU HADN'T SHOWN UP.

1149
00:55:33,246 --> 00:55:35,165
WHY NOT?
BECAUSE I DIDN'T KNOW ANYTHING.

1150
00:55:35,248 --> 00:55:38,960
I LET YOU SPILL THE DOPE,
THEN I COULDN'T KEEP
IT OUT OF MY COLUMN.

1151
00:55:39,044 --> 00:55:41,422
IT DIDN'T
MAKE ANY DIFFERENCE
WHAT IT DID TO ME.

1152
00:55:41,505 --> 00:55:43,799
I WAS THINKING ABOUT
THE DOGGONE COLUMN.

1153
00:55:43,882 --> 00:55:46,926
YOU GOT YOUR ITEM.
MAYBE YOU'D LIKE TO HEAR
WHAT HAPPENED AFTER THAT.

1154
00:55:47,010 --> 00:55:50,263
I WOULDN'T.
ARE YOU UP AGAINST IT?
HOW MUCH DO YOU NEED?

1155
00:55:50,346 --> 00:55:54,142
I JUST WANT YOU TO KNOW WHAT
A SWELL JOB YOU DO
WHEN YOU START SOMETHING.

1156
00:55:54,225 --> 00:55:55,561
I DON'T WANNA HEAR IT.

1157
00:55:55,644 --> 00:55:57,646
YOU'RE GONNA WHETHER
YOU WANT TO OR NOT.

1158
00:55:57,730 --> 00:56:00,399
THE MANAGER OF
THE REVUE GOT HOLD
OF AN EARLY EDITION

1159
00:56:00,483 --> 00:56:02,233
AND KICKED ME OUT
THAT SAME NIGHT.

1160
00:56:02,317 --> 00:56:04,695
THE LANDLADY
WHERE I LIVED SAID
I'D BETTER GET OUT.

1161
00:56:04,779 --> 00:56:07,406
SHE WAS SORRY,
BUT IT WAS
BAD FOR THE HOUSE.

1162
00:56:07,490 --> 00:56:09,617
THEN MY MOTHER
TELEGRAPHED FOR ME
TO COME HOME.

1163
00:56:09,700 --> 00:56:11,619
I WIRED BACK
IT WAS A LIE.

1164
00:56:11,702 --> 00:56:13,829
I JUST GOT A LETTER
FROM HER.

1165
00:56:13,912 --> 00:56:16,956
SHE WANTS TO SEE ME,
BUT HOW CAN I GO HOME
LIKE THIS,

1166
00:56:17,040 --> 00:56:19,668
EVEN IF I HAD
THE PRICE OF A TICKET?

1167
00:56:19,752 --> 00:56:21,712
WHAT ABOUT THE GUY
WHO'S TAKING CARE OF YOU?

1168
00:56:21,796 --> 00:56:23,672
WHEN THIS THING BROKE,
HE TOOK A RUN-OUT POWDER.

1169
00:56:23,756 --> 00:56:25,965
TELL ME WHO IT IS.

1170
00:56:26,049 --> 00:56:29,553
TRYING TO GET ANOTHER ITEM?
I WOULDN'T TRUST YOU WITH
IT ACROSS THE ROOM!

1171
00:56:29,637 --> 00:56:31,555
BESIDES, I'M GOING TO
GET PLENTY EVEN

1172
00:56:31,639 --> 00:56:33,557
WITH THAT GUY
IN ANOTHER WAY.

1173
00:56:33,641 --> 00:56:35,810
HE'S MARRIED, SEE?
HE'S GOT A WIFE,

1174
00:56:35,892 --> 00:56:39,270
A FAT OLD WOMAN OVER
IN JACKSON HEIGHTS.
BELIEVES EVERYTHING HE TELLS.

1175
00:56:39,354 --> 00:56:41,565
SHE THINKS
HE'S A CONTRACTOR,
ALWAYS AWAY ON BUSINESS.

1176
00:56:41,649 --> 00:56:44,192
I'LL FIX HIM.
WHAT YOU GONNA DO?

1177
00:56:44,275 --> 00:56:46,361
TELL HIM I WAS HERE
AND TOLD YOU HIS NAME.

1178
00:56:46,445 --> 00:56:49,030
MAYBE HE WON'T
BURN UP PLENTY
THESE NEXT FEW MONTHS,

1179
00:56:49,114 --> 00:56:51,867
SCARED EVERY MORNING
TO LOOK IN THE PAPER
AND SCARED NOT TO.

1180
00:56:51,950 --> 00:56:53,159
YOU'RE GONNA
TAKE SOME MONEY.

1181
00:56:53,243 --> 00:56:54,829
NOT YOURS.

1182
00:56:54,911 --> 00:56:57,873
HOW MUCH WILL IT COST
TO LIVE IN THE COUNTRY?
50 A WEEK?

1183
00:56:57,956 --> 00:56:59,708
I DON'T WANT
YOUR MONEY.

1184
00:56:59,792 --> 00:57:04,003
HERE'S 100. SEND YOUR ADDRESS.
YOU GET A CHECK FOR
50 EVERY WEEK.

1185
00:57:04,087 --> 00:57:07,048
[SOBBING]
I DIDN'T KNOW!

1186
00:57:07,132 --> 00:57:09,050
AW, CUT IT OUT, NOW.

1187
00:57:09,134 --> 00:57:10,426
I NEVER
THOUGHT I'D...

1188
00:57:10,511 --> 00:57:12,345
OH, BRACE UP,
DOROTHY.

1189
00:57:12,428 --> 00:57:14,682
GO TO THE COUNTRY
TILL IT'S OVER.
QUIT WORRYING.

1190
00:57:14,765 --> 00:57:16,933
WHEN YOU GET BACK,
I'LL GET YOU A JOB.

1191
00:57:17,016 --> 00:57:18,519
YEAH? WHO'D HAVE ME?

1192
00:57:18,602 --> 00:57:21,564
PLENTY OF PLACES
WANNA BE NICE TO ME.
I'LL FIX IT UP.

1193
00:57:21,647 --> 00:57:24,567
YOU'LL FIX IT UP,
WITH SOME MORE OF
YOUR ROTTEN PUBLICITY.

1194
00:57:24,650 --> 00:57:26,694
I NEVER WANT MY NAME
IN YOUR COLUMN AGAIN!

1195
00:57:26,777 --> 00:57:29,655
I DON'T WANT YOUR MONEY!
JUST LAY OFF ME.

1196
00:57:29,738 --> 00:57:31,072
LAY OFF ME!

1197
00:57:31,156 --> 00:57:32,658
[SOBBING]

1198
00:57:34,618 --> 00:57:36,871
[DOOR SLAMS]

1199
00:57:36,953 --> 00:57:40,916
I'VE BEEN PULLING
YOUR FAVORITE STUNT--
EAVESDROPPING.

1200
00:57:40,999 --> 00:57:44,419
WHAT A THING TO DO TO HER.
YOU OUGHT TO BE
ASHAMED OF YOURSELF.

1201
00:57:44,503 --> 00:57:46,755
YOU'RE SORE ABOUT IT,
AND I DON'T BLAME YOU.

1202
00:57:46,839 --> 00:57:49,842
I'LL MAKE IT UP
TO HER IF IT
TAKES MY ENTIRE LIFE.

1203
00:57:49,925 --> 00:57:53,052
YOU RUIN HER REPUTATION.
YOU GET HER
THROWN OUT OF WORK.

1204
00:57:53,136 --> 00:57:56,599
BREAK HER MOTHER'S HEART.
AND THINK YOU CAN SQUARE
IT ALL BY GIVING HER MONEY.

1205
00:57:56,682 --> 00:58:00,101
IT'S JUST TOO LATE NOW.
YOU BET IT'S TOO LATE

1206
00:58:00,185 --> 00:58:03,606
TOO LATE FOR A LOT OF THINGS,
ESPECIALLY FOR ANY
$50-A-WEEK NOBILITY.

1207
00:58:03,689 --> 00:58:05,733
THERE JUST
ISN'T ANYTHING YOU
CAN SAY, IS THERE?

1208
00:58:05,816 --> 00:58:08,109
BUT I'VE ALREADY TOLD YOU
IT WAS A MISTAKE.

1209
00:58:08,193 --> 00:58:10,946
OF COURSE IT WAS.
THE WHOLE FILTHY
COLUMN'S A MISTAKE,

1210
00:58:11,029 --> 00:58:13,866
BUT I CAN SEE YOU
BEING DECENT ENOUGH
TO GIVE IT UP.

1211
00:58:13,949 --> 00:58:15,491
YOU WOULDN'T
ASK ME TO DO THAT.

1212
00:58:15,576 --> 00:58:17,327
WHY NOT?

1213
00:58:17,410 --> 00:58:20,413
YOU DON'T UNDERSTAND--
NOT THE WAY I'VE WORKED
TO PUT IT OVER.

1214
00:58:20,496 --> 00:58:22,457
NOT EVEN FOR YOU.
YOU COULDN'T EXPECT ME TO.

1215
00:58:22,541 --> 00:58:24,459
OF COURSE NOT.
IT'S GOT YOU.

1216
00:58:24,543 --> 00:58:28,839
YOU MUST GO ON EVEN IF IT
WRECKS THE LIFE OF A
DOROTHY LANE NOW AND THEN.

1217
00:58:28,923 --> 00:58:32,635
YOU DON'T REALIZE WHAT
THIS MEANS TO ME. WHAT DID
I EVER AMOUNT TO BEFORE?

1218
00:58:32,718 --> 00:58:36,805
JUST A PUNK KID IN THE AD
DEPARTMENT. THEN I STARTED
SOMETHING NO ONE EVER THOUGHT OF

1219
00:58:36,889 --> 00:58:39,515
NOW--
20 MILLION PEOPLE READING IT
ALL OVER THE COUNTRY.

1220
00:58:39,600 --> 00:58:44,479
ALL OTHER NEWSPAPERS TRYING TO
COPY IT. IT'S GREAT. IT'S MINE.
I MADE IT. NOBODY GETS THAT.

1221
00:58:44,563 --> 00:58:48,859
IT HAD TO COME TO
A SHOWDOWN SOMETIME
BETWEEN THE COLUMN AND ME.

1222
00:58:48,943 --> 00:58:51,486
YOU CAN'T
GIVE UP THE COLUMN,
SO THAT LETS ME OUT.

1223
00:58:52,947 --> 00:58:54,698
[PIANO PLAYING]

1224
00:59:11,256 --> 00:59:13,676
HELLO, ALVIN.

1225
00:59:13,759 --> 00:59:15,176
HELLO, GOBEL.

1226
00:59:15,260 --> 00:59:17,095
WELL, AIN'T YOU
GOING TO
SHAKE HANDS?

1227
00:59:17,178 --> 00:59:19,097
WHAT IS THERE
TO SHAKE HANDS ABOUT?

1228
00:59:19,180 --> 00:59:21,099
CAN'T A GUY
SQUARE HIMSELF?

1229
00:59:21,182 --> 00:59:23,101
YOU MEAN YOU WANT
TO SQUARE ME.

1230
00:59:23,184 --> 00:59:25,353
NO. I'M ON THE LEVEL.

1231
00:59:25,436 --> 00:59:27,690
I DID YOU
A DIRTY TRICK ONCE--

1232
00:59:27,773 --> 00:59:32,151
THAT NIGHT I COPPED OFF
YOUR DAME AT THE SILVER SLIPPER.
A GAG, BUT YOU TOOK IT SERIOUS.

1233
00:59:32,235 --> 00:59:35,321
ALRIGHT, I MADE
A MISTAKE. THAT'S WHAT
I COME OVER TO SAY.

1234
00:59:35,405 --> 00:59:37,616
YOU DID 2 DIRTY TRICKS,
GOBEL.

1235
00:59:37,700 --> 00:59:39,034
WHAT ELSE?

1236
00:59:39,117 --> 00:59:41,244
SENDING UP THAT GORILLA
OF YOURS: FRANKIE WELLS.

1237
00:59:41,327 --> 00:59:42,997
THAT WAS TO
SCARE YOU A LITTLE.

1238
00:59:43,079 --> 00:59:44,707
DIDN'T WORK, DID IT?

1239
00:59:44,790 --> 00:59:46,457
I SHOULD
SAY NOT.

1240
00:59:46,541 --> 00:59:48,418
YOU GOT NERVE.
I GOT TO GIVE YOU
CREDIT FOR THAT.

1241
00:59:48,501 --> 00:59:50,838
NEVER MIND THE FLOWERS.
WHAT'S ON YOUR MIND?

1242
00:59:50,921 --> 00:59:53,589
WHAT DO YOU WANT TO
PRINT A THING
LIKE THIS FOR?

1243
00:59:53,674 --> 00:59:55,133
PRINT WHAT, SAMMY?

1244
00:59:55,216 --> 00:59:57,510
"SYLVIA PIERSON'S
NEW ORCHID
SUPPLIER'S

1245
00:59:57,593 --> 00:59:59,345
A BIG-TIME RACKETEER,
ONLY SHE DON'T
KNOW IT."

1246
00:59:59,429 --> 01:00:01,556
THAT'S A ROTTEN
THING TO PRINT.

1247
01:00:01,640 --> 01:00:03,892
HOW DO YOU FIGURE THAT?
SYLVIA'S A SWELL DISH.

1248
01:00:03,976 --> 01:00:06,979
I SAY YOU'RE COMING ACROSS
WITH ORCHIDS. THAT MAKES
YOU A BIG-TIMER.

1249
01:00:07,062 --> 01:00:08,772
IT'S A GREAT AD.

1250
01:00:08,856 --> 01:00:12,108
I DON'T WANT
NO ADVERTISING THAT TIES
ME UP WITH DAMES, SEE?

1251
01:00:12,191 --> 01:00:14,945
HEY, MAYBE IF I
TOLD YOU A COUPLE
OF THINGS,

1252
01:00:15,029 --> 01:00:17,196
YOU'D SEE IT MY WAY.

1253
01:00:17,280 --> 01:00:18,991
MAYBE I WOULD.

1254
01:00:19,074 --> 01:00:22,160
YOU KNOW, I AIN'T
SUCH A BAD EGG
AS YOU THINK.

1255
01:00:22,243 --> 01:00:24,245
ALL YOU KNOW
ABOUT ME IS
THE RACKET.

1256
01:00:24,329 --> 01:00:26,874
ALRIGHT.
THAT'S SOMETHING.
THERE'S SOMETHING ELSE.

1257
01:00:26,957 --> 01:00:30,293
OUT ON LONG ISLAND,
I GOT A FAMILY,
A WIFE AND A KID.

1258
01:00:30,376 --> 01:00:33,421
OUT THERE, I LIVE
RESPECTABLE. MY KID GOES
TO A FANCY SCHOOL.

1259
01:00:33,504 --> 01:00:35,506
NOBODY KNOWS NOTHING
ABOUT WHAT I DO
IN TOWN.

1260
01:00:35,590 --> 01:00:37,383
NOT EVEN YOUR WIFE,
I GUESS.

1261
01:00:37,467 --> 01:00:39,845
I LIVE RESPECTABLE
OUT THERE. YOU AIN'T
GOT A FAMILY.

1262
01:00:39,928 --> 01:00:42,848
YOU DON'T KNOW
WHAT IT MEANS
TO A GUY LIKE ME.

1263
01:00:42,931 --> 01:00:45,475
OUT THERE, EVERYBODY
THINKS I'M IN THE
CONTRACTING BUSINESS.

1264
01:00:45,558 --> 01:00:48,186
WHERE DID YOU SAY
YOU LIVED?
JACKSON HEIGHTS?

1265
01:00:48,269 --> 01:00:50,105
YEAH.
JACKSON HEIGHTS.

1266
01:00:51,815 --> 01:00:54,026
DON'T WORRY, GOBEL.
I WON'T PRINT IT.

1267
01:00:54,109 --> 01:00:55,610
YOU WON'T
PRINT WHAT?

1268
01:00:55,694 --> 01:00:57,362
WHAT YOU CAME HERE
TO STOP.

1269
01:00:57,445 --> 01:00:59,489
SO THE DIRTY
LITTLE RAT
DID TELL YOU.

1270
01:00:59,572 --> 01:01:01,700
I NEVER TELL ANYONE
WHERE I GET MY INFORMATION.

1271
01:01:01,784 --> 01:01:04,327
YOU TRYING TO KID ME?
MAYBE YOU
AIN'T GOT NO ITEM.

1272
01:01:04,410 --> 01:01:05,996
NO?

1273
01:01:06,080 --> 01:01:08,289
MAYBE YOU'RE TRYING
TO CHISEL ONE
OUT OF ME.

1274
01:01:08,373 --> 01:01:10,333
WHY SHOULD I?
I'M NOT GONNA PRINT IT.

1275
01:01:10,416 --> 01:01:13,419
TELL ME WHAT YOU GOT,
AND I'LL TELL YOU IF
YOU'RE RIGHT.

1276
01:01:13,503 --> 01:01:16,672
DON'T BE A SAP, GOBEL.
WE'RE BOTH TALKING
ABOUT DOROTHY LANE.

1277
01:01:16,757 --> 01:01:19,843
DON'T PRINT IT.
I'D DO ANYTHING TO KEEP
THE MISSIS FROM FINDING OUT.

1278
01:01:19,927 --> 01:01:21,636
I'M NOT GOING TO,
I TELL YOU.

1279
01:01:21,720 --> 01:01:22,637
SURE?

1280
01:01:22,721 --> 01:01:23,931
SURE.

1281
01:01:24,014 --> 01:01:26,307
SHAKE HANDS ON IT?
TAKE MY WORD FOR IT.

1282
01:01:26,391 --> 01:01:28,309
I'M NOT USING IT--
FOR PERSONAL REASONS,

1283
01:01:28,393 --> 01:01:30,478
WHICH HAPPEN TO BE
NONE OF YOUR BUSINESS.

1284
01:01:30,561 --> 01:01:32,731
BUT YOU'LL
ALWAYS KNOW ABOUT
IT, WON'T YOU?

1285
01:01:32,815 --> 01:01:35,734
SURE, I WILL. ALWAYS.
AND DON'T YOU EVER
FORGET THAT.

1286
01:01:35,818 --> 01:01:37,235
WHAT DO YOU MEAN?

1287
01:01:37,318 --> 01:01:39,947
IF YOU SEND ANY OF YOUR
HOODLUMS AROUND TO ANNOY ME,

1288
01:01:40,030 --> 01:01:42,866
I'LL SPREAD YOUR NAME
ALL OVER THIS CITY
IN CAPITAL LETTERS.

1289
01:01:42,950 --> 01:01:44,910
IF YOU EVER PRINT THAT,
SO HELP ME--

1290
01:01:44,993 --> 01:01:47,286
WHO ARE YOU
TO TELL ME WHAT TO PRINT?

1291
01:01:47,370 --> 01:01:50,415
<i> I'M </i>
WRITING THIS COLUMN,
AND NO GUY'S GIVING
ME ORDERS, GET OUT.

1292
01:01:50,498 --> 01:01:53,584
IF YOU KNOW WHAT'S GOOD,
KEEP YOUR DIRTY NOSE
OUT OF MY BUSINESS.

1293
01:01:53,668 --> 01:01:55,711
GO ON. BLOW.

1294
01:02:00,508 --> 01:02:03,719
[HARMON SINGING ON RADIO]
♪♪ TOO MANY TEARS ♪♪

1295
01:02:03,804 --> 01:02:05,889
♪♪ I WASTED LOVING YOU ♪♪

1296
01:02:05,973 --> 01:02:07,766
♪♪ YOU KNEW THAT I WAS TRUE ♪♪

1297
01:02:07,850 --> 01:02:08,934
♪♪ OH... ♪♪

1298
01:02:09,017 --> 01:02:11,602
[DOORBELL BUZZES]

1299
01:02:11,686 --> 01:02:12,855
[SIGHS]

1300
01:02:12,938 --> 01:02:14,522
[MUSIC STOPS]

1301
01:02:17,316 --> 01:02:18,401
OH!

1302
01:02:18,484 --> 01:02:20,403
HELLO, MRS. ROBERTS.
GLAD TO SEE YOU.

1303
01:02:20,486 --> 01:02:23,157
CAME TO SEE IF
YOU'LL GO TO A
PICTURE WITH ME.

1304
01:02:23,239 --> 01:02:25,408
OH, I'D LOVE TO.

1305
01:02:25,491 --> 01:02:28,244
IT'S RUTH CHARLTON
OPENING, THERE'LL BE LIGHTS
AND EVERYTHING. YOU'LL LOVE IT.

1306
01:02:28,327 --> 01:02:31,123
I KNOW I WILL.
IS ALVIN STILL HERE?

1307
01:02:31,206 --> 01:02:34,542
YES. HE'S IN THERE DRESSING
TO GO TO THE OPENING
OF THAT NIGHTCLUB.

1308
01:02:34,625 --> 01:02:37,045
I WISH YOU COULD
PERSUADE HIM TO COME
WITH US INSTEAD.

1309
01:02:37,129 --> 01:02:38,337
WHY?

1310
01:02:38,421 --> 01:02:40,381
IF ALVIN SHOWS UP
AT THE CHATEAU HARMONY,

1311
01:02:40,465 --> 01:02:42,300
BUNNY HARMON WON'T
STOP AT ANYTHING.

1312
01:02:43,844 --> 01:02:45,470
HELLO, GLAD.

1313
01:02:45,553 --> 01:02:48,849
GEE, IT'S GREAT TO SEE YOU.
WHAT BROUGHT YOU
HERE TONIGHT?

1314
01:02:48,932 --> 01:02:51,309
I THOUGHT I'D TAKE
YOUR MOTHER TO
THE MOVIES.

1315
01:02:51,392 --> 01:02:54,604
OH, THAT'S SWELL.
THEN WE'RE
FRIENDS AGAIN, HUH?

1316
01:02:54,687 --> 01:02:56,982
WHY DON'T YOU
STAY AWAY FROM
THAT NIGHTCLUB

1317
01:02:57,065 --> 01:02:58,817
AND COME ALONG
WITH US?

1318
01:02:58,901 --> 01:03:01,652
WHAT? AND MISS
MEETING THAT OLD PAL
OF YOURS BUNNY HARMON?

1319
01:03:01,736 --> 01:03:03,989
OH, PLEASE DON'T GO.
SOMETHING MIGHT
HAPPEN, ALVIN.

1320
01:03:04,072 --> 01:03:07,283
WHOLE TOWN WOULD THINK
I WAS YELLOW IF I DIDN'T.
I
<i> GOTTA GO. </i>

1321
01:03:07,366 --> 01:03:11,121
ALVIN, WHY DON'T YOU
AND MR. HARMON
MAKE UP?

1322
01:03:11,205 --> 01:03:14,624
HE CAN MAKE UP ALL HE WANTS TO.
I'M GONNA STICK TO THAT
HE-MAN STUFF.

1323
01:03:14,707 --> 01:03:16,835
LISTEN, ALVIN.

1324
01:03:16,919 --> 01:03:21,339
AFTER TONIGHT,
WOULD YOU BE WILLING
TO GIVE UP THAT COLUMN?

1325
01:03:26,511 --> 01:03:27,470
SURE.

1326
01:03:27,553 --> 01:03:29,097
PROMISE?

1327
01:03:29,181 --> 01:03:32,808
AFTER TONIGHT,
I'M ABSOLUTELY THROUGH
WITH THAT COLUMN.

1328
01:03:40,733 --> 01:03:43,195
HERE I GO--
OFF TO THE RACES.

1329
01:03:48,574 --> 01:03:50,118
SO LONG, MOM.

1330
01:03:52,620 --> 01:03:54,998
ALVIN'S CRAZY
ABOUT YOU, GLADYS.

1331
01:03:55,082 --> 01:03:56,499
DO YOU REALLY
THINK SO?

1332
01:03:56,582 --> 01:03:58,584
I NEVER
SAW HIM KISS
ANY OTHER GIRL.

1333
01:03:58,668 --> 01:04:00,711
NO?

1334
01:04:00,795 --> 01:04:04,799
NEVER HEARD HIM TALK ABOUT
OTHER GIRLS EITHER.
HE TALKS ABOUT YOU ALL THE TIME.

1335
01:04:04,883 --> 01:04:08,971
IT WOULD DO ALVIN A LOT OF GOOD
IF HE SETTLED DOWN WITH
SOME NICE, SENSIBLE GIRL.

1336
01:04:09,054 --> 01:04:11,056
HE DOESN'T TAKE HALF
CARE OF HIMSELF.

1337
01:04:11,139 --> 01:04:14,559
I TALK AND TALK,
BUT HE DOESN'T PAY
ANY ATTENTION TO ME.

1338
01:04:14,642 --> 01:04:17,645
WELL, I'LL SEE WHAT I CAN DO.
HADN'T WE BETTER GET GOING?

1339
01:04:17,728 --> 01:04:20,398
OH, YES. YES.
I'LL GET MY HAT.
I WON'T BE A MINUTE.

1340
01:04:21,900 --> 01:04:23,401
WHERE'S AL?
WHAT DO YOU WANT?

1341
01:04:23,484 --> 01:04:25,320
WHERE IS HE?

1342
01:04:25,403 --> 01:04:28,489
HE WENT TO KEEP A DATE
WITH BUNNY HARMON FOR
THAT NIGHTCLUB OPENING.

1343
01:04:28,573 --> 01:04:30,951
YOU GOTTA STOP HIM!
THEY'RE FIXING
TO BUMP HIM OFF!

1344
01:04:31,034 --> 01:04:32,995
WHO IS?
GOBEL. TELL HIM I SAID GOBEL.

1345
01:04:33,078 --> 01:04:35,038
DON'T LET HIM
GET THERE.
I GOTTA GO.

1346
01:04:35,122 --> 01:04:36,706
WAIT! WAIT.
I'LL GO WITH YOU.

1347
01:04:36,789 --> 01:04:38,749
Mrs. Roberts:
GLADYS, I'M
ALL READY.

1348
01:04:38,833 --> 01:04:42,921
WHY,
IT'S MR. WELLS.

1349
01:04:43,005 --> 01:04:45,423
I'VE TO GO WITH HIM.
WE CAN'T GO TO THE PICTURE.

1350
01:04:45,506 --> 01:04:46,925
IS ANYTHING
THE MATTER?

1351
01:04:47,009 --> 01:04:49,677
NOT A THING,
BUT THEY WANT ME
OVER AT THE OFFICE.

1352
01:04:49,760 --> 01:04:51,762
WAIT HERE.
I'LL CALL YOU
SOON AS I CAN.

1353
01:04:51,846 --> 01:04:53,098
COME ON.

1354
01:04:56,726 --> 01:05:00,396
WELL, I'LL BE DAMNED.

1355
01:05:03,899 --> 01:05:05,986
[ORCHESTRA PLAYING]

1356
01:05:14,910 --> 01:05:20,125
♪♪ WELL, I'M MAKING HAY
IN THE MOONLIGHT ♪♪

1357
01:05:20,208 --> 01:05:25,421
♪♪ IN MY LITTLE BABY'S ARMS ♪♪

1358
01:05:25,504 --> 01:05:28,050
♪♪ A HARVEST FOR TWO ♪♪

1359
01:05:28,133 --> 01:05:30,468
♪♪ IS BOUND TO COME TRUE ♪♪

1360
01:05:30,551 --> 01:05:35,598
♪♪ SOMEDAY I'LL SAY ♪♪

1361
01:05:35,681 --> 01:05:42,605
♪♪ IT LOOKS LIKE WE'LL
HAVE A SWEET HONEYMOON TIME ♪♪

1362
01:05:42,688 --> 01:05:47,194
♪♪ WITH ITS WONDERFUL CHARM ♪♪

1363
01:05:47,277 --> 01:05:52,907
♪♪ 'CAUSE I'M MAKING HAY
IN THE MOONLIGHT ♪♪

1364
01:05:52,991 --> 01:05:58,121
♪♪ IN MY BABY'S ARMS ♪♪

1365
01:05:58,205 --> 01:06:03,542
♪♪ WELL, I'M MAKING HAY
IN THAT MOONLIGHT ♪♪

1366
01:06:03,626 --> 01:06:08,798
♪♪ AND I'M HERE
IN MY BABY'S ARMS ♪♪

1367
01:06:08,881 --> 01:06:11,592
♪♪ A LITTLE HARVEST FOR TWO ♪♪

1368
01:06:11,676 --> 01:06:13,719
♪♪ IS BOUND TO COME TRUE ♪♪

1369
01:06:13,803 --> 01:06:18,891
♪♪ SOMEDAY I'LL SAY ♪♪

1370
01:06:18,974 --> 01:06:25,564
♪♪ IT LOOKS LIKE WE'LL
HAVE A SWEET HONEYMOON TIME ♪♪

1371
01:06:25,648 --> 01:06:30,320
♪♪ WITH ITS WONDERFUL CHARM ♪♪

1372
01:06:30,404 --> 01:06:35,783
♪♪ 'CAUSE I'M MAKING HAY
IN THE MOONLIGHT ♪♪

1373
01:06:35,866 --> 01:06:41,331
♪♪ IN MY BABY'S ARMS ♪♪

1374
01:06:41,415 --> 01:06:43,291
THANK YOU.

1375
01:06:43,375 --> 01:06:45,043
THANK YOU ALL.
THANK YOU.

1376
01:06:55,761 --> 01:06:57,305
HELLO, BOYS! HELLO!

1377
01:06:57,389 --> 01:06:59,266
HA HA HA!
WELL, HOW IS
EVERYTHING?

1378
01:06:59,349 --> 01:07:01,476
MR. RILEY
THE DEMON
PRESS AGENT.

1379
01:07:01,559 --> 01:07:03,478
THAT'S ME.
WHAT ARE THE PHONES FOR?

1380
01:07:03,561 --> 01:07:05,480
BULLETINS.
EVERYBODY IN TOWN
IS HERE TONIGHT.

1381
01:07:05,563 --> 01:07:09,276
I'LL BET YOU THIS OPENING
MAKES THE FRONT PAGE
OF EVERY PAPER IN TOWN.

1382
01:07:09,359 --> 01:07:13,280
THAT'S THE TROUBLE WITH YOU.
YOU'VE STILL GOT
THOSE CHICAGO IDEAS.

1383
01:07:13,363 --> 01:07:16,366
SAY, YOU DON'T THINK
A NIGHTCLUB OPENING
IS HOT NEWS, DO YOU?

1384
01:07:16,450 --> 01:07:19,077
OF COURSE, IF ALVIN
ROBERTS SHOWS UP,
THAT'S A STORY.

1385
01:07:19,161 --> 01:07:21,620
IF HE DOESN'T
AFTER SAYING HE WOULD,
THAT'S ONE, TOO.

1386
01:07:21,704 --> 01:07:23,498
NOT FOR MY PAPER.

1387
01:07:23,581 --> 01:07:24,999
[KNOCK ON DOOR]

1388
01:07:31,672 --> 01:07:34,384
EVERYTHING O.K.?
YES. YES.

1389
01:07:40,140 --> 01:07:43,559
NOW, YOU GO OUT THERE
TO THE MEZZANINE STEPS.

1390
01:07:43,642 --> 01:07:45,644
YOU GO UP THE STEPS,

1391
01:07:45,728 --> 01:07:48,773
AND RIGHT AWAY
TO YOUR RIGHT
IS THE PRESSROOM.

1392
01:07:48,856 --> 01:07:52,277
BUT PLEASE,
MR. ROBERTS, BE CAREFUL.

1393
01:07:52,360 --> 01:07:53,694
YOU'RE TELLING ME.

1394
01:07:53,778 --> 01:07:56,156
MR. ROBERTS, YOU WILL
PROTECT ME, HMM?

1395
01:07:56,239 --> 01:07:58,657
I NEVER
SAW YOU BEFORE
IN ALL MY LIFE.

1396
01:08:01,911 --> 01:08:04,539
DRIVER, GO A LITTLE
FASTER, PLEASE.

1397
01:08:04,622 --> 01:08:06,208
THINK ROBERTS
WILL SHOW UP?

1398
01:08:06,291 --> 01:08:08,293
IF HE DON'T, HE'S GOT
A GOOD ALIBI.

1399
01:08:08,376 --> 01:08:10,753
IF HE DOES, HE'LL GET
THROWN OUT ON HIS EARDRUMS.

1400
01:08:10,836 --> 01:08:13,088
I GOT 10 STRONG GUYS
TO DO IT.

1401
01:08:13,173 --> 01:08:15,800
WHY 10? YOU CAN
GET THEM CHEAPER
BY THE DOZEN.

1402
01:08:15,883 --> 01:08:19,346
DO WE'VE TO STAY HERE,
OR CAN'T WE GO DOWNSTAIRS,
MINGLE WITH THE WHITE FOLKS?

1403
01:08:19,429 --> 01:08:22,097
ANYTHING YOU WANT.
I GOT A RINGSIDE TABLE
RESERVED FOR YOU,

1404
01:08:22,182 --> 01:08:24,351
OR STAY HERE WITH ALL
THE REFRESHMENTS.

1405
01:08:24,434 --> 01:08:26,353
NOW, THAT'S WHAT I CALL
REAL THOUGHTFUL.

1406
01:08:26,436 --> 01:08:27,812
WHY DON'T YOU
FELLAS TANK UP?

1407
01:08:27,895 --> 01:08:29,481
NO, THANKS.
I'M NOT DRINKING.

1408
01:08:29,564 --> 01:08:31,191
COOPER?
NO, NO.

1409
01:08:31,274 --> 01:08:33,193
SAY, WHAT IS THIS?
A GAG?

1410
01:08:33,276 --> 01:08:36,070
NO. HE'S DOING IT
FOR THE WIFE AND KIDNEYS.

1411
01:08:36,154 --> 01:08:37,447
HOW ABOUT YOU,
BOLDT?

1412
01:08:37,531 --> 01:08:39,491
LATER. I WANNA SEE HOW
FLINT TURNS OUT.

1413
01:08:39,574 --> 01:08:42,244
YOU FELLOWS DON'T WORRY
ABOUT THAT STUFF.
IT'S BEEN ANALYZED.

1414
01:08:42,327 --> 01:08:45,455
I'VE SEEN A LOT OF STUFF
THAT'S BEEN ANALYZED
I WOULDN'T WANNA DRINK.

1415
01:08:45,539 --> 01:08:47,623
BUT THIS STUFF'S O.K.,
RIGHT OFF THE BOAT.

1416
01:08:47,706 --> 01:08:50,585
YEAH. BEEN
SCRAPED OFF.

1417
01:08:50,668 --> 01:08:52,962
YOU'RE THE FUNNIEST
BUNCH OF REPORTERS
I EVER SAW.

1418
01:08:53,045 --> 01:08:56,131
IF YOU DON'T WANNA
DRINK, SUPPOSE I TAKE YOU
DOWNSTAIRS TO SEE BUNNY?

1419
01:08:56,216 --> 01:08:58,218
WE'LL DRINK.
NO, NO. I MEAN IT, FELLAS.

1420
01:08:58,301 --> 01:09:00,554
WHAT DO WE WANT
TO SEE BUNNY FOR?

1421
01:09:00,636 --> 01:09:03,598
WELL, HE'S EXPECTING YOU.
YOU KNOW, PRETEND
YOU'RE INTERVIEWING HIM.

1422
01:09:03,681 --> 01:09:05,891
ASK HIM ABOUT
SEX APPEAL BY TELEVISION.

1423
01:09:05,975 --> 01:09:07,685
BY TELEVISION?

1424
01:09:07,768 --> 01:09:10,813
I'LL TELL YOU RIGHT NOW
IT WILL NEVER PROVE
A POPULAR METHOD.

1425
01:09:10,896 --> 01:09:12,940
WE'LL BE DOWN LATER.
WE GOT PLENTY OF TIME.

1426
01:09:13,023 --> 01:09:14,817
ALRIGHT.
SUIT YOURSELVES.

1427
01:09:14,900 --> 01:09:17,612
I GOT TO KEEP
A LOOKOUT FOR ROBERTS.
GOT TO CIRCULATE.

1428
01:09:17,695 --> 01:09:20,282
ORDER ANYTHING
YOU WANT, BOYS.
IT'S ON THE HOUSE. SO LONG.

1429
01:09:22,825 --> 01:09:24,118
HI, BOYS.
HOW'S EVERYTHING?

1430
01:09:24,202 --> 01:09:25,537
HI, BUNNY.

1431
01:09:25,620 --> 01:09:27,121
SAY, WHERE'S
THAT GUY ROBERTS?

1432
01:09:27,205 --> 01:09:30,292
HE WON'T SHOW UP.
IF HE DOES,
HE WON'T GET IN.

1433
01:09:30,375 --> 01:09:34,086
YEAH? YOU WANT TO BET ON IT?
WELL, IF I DID, YOU'D LOSE.

1434
01:09:44,514 --> 01:09:46,932
AS I LIVE AND BREATHE,
ANOTHER JOURNALIST.

1435
01:09:47,016 --> 01:09:49,311
WHO IS IT?
THE
<i> HOME GAZETTE NEWS? </i>

1436
01:09:49,394 --> 01:09:52,146
WHY, IF IT ISN'T
THE KID HIMSELF.
HOW DID YOU GET IN?

1437
01:09:52,230 --> 01:09:54,316
I CAN'T REMEMBER.
WHAT A WONDERFUL DISGUISE.

1438
01:09:54,399 --> 01:09:57,067
IF IT HADN'T BEEN
FOR THE CHEATERS,
I WOULDN'T HAVE KNOWN.

1439
01:09:57,151 --> 01:09:59,069
ARE YOU GOING TO
PULL SOMETHING TONIGHT?

1440
01:09:59,153 --> 01:10:01,448
JUST STICK AROUND AND FIND OUT.
LOOK OUT. HERE'S RILEY.

1441
01:10:01,531 --> 01:10:02,865
Riley:
HELLO, BOYS. HELLO.

1442
01:10:02,948 --> 01:10:05,910
HAVING A GOOD TIME?
HEY, WHO'S THIS GUY?

1443
01:10:05,993 --> 01:10:07,161
OH, JUST ANOTHER
REPORTER.

1444
01:10:07,245 --> 01:10:08,913
YEAH?
YEAH.

1445
01:10:08,996 --> 01:10:11,040
I BEG YOUR PARDON.
I'M BUNNY HARMON'S
PRESS AGENT.

1446
01:10:11,123 --> 01:10:13,376
MR. OX, I WANT YOU
TO KNOW MR. RILEY.

1447
01:10:13,460 --> 01:10:15,753
HOW DO YOU DO?
I DIDN'T GET THE NAME.

1448
01:10:15,836 --> 01:10:18,797
OX OF THE
<i> GAZETTE. </i>
YOU KNOW--
OX OF THE
<i> GAZETTE. </i>

1449
01:10:18,881 --> 01:10:22,594
OH, SURE. I KNOW.
DO YOU WANT TO GO DOWNSTAIRS
AND MEET MR. HARMON?

1450
01:10:22,677 --> 01:10:26,722
NOT RIGHT NOW, IF YOU PLEASE.
I MUST GET THESE THINGS IN
FOR MY FIRST EDITION.

1451
01:10:26,805 --> 01:10:28,807
THESE GENTLEMEN
HAVE BEEN GIVING ME
MY INFORMATION.

1452
01:10:28,891 --> 01:10:31,311
AND DON'T FORGET TO SAY
THAT ALVIN ROBERTS
DIDN'T GET IN.

1453
01:10:31,394 --> 01:10:33,187
ROBERTS?

1454
01:10:33,271 --> 01:10:35,147
YOU KNOW--THAT
LOW-DOWN DIRT-SLINGER
ON THE
<i> EXPRESS. </i>

1455
01:10:35,230 --> 01:10:38,360
OH, A TABLOID WRITER.
DEAR, DEAR.

1456
01:10:38,443 --> 01:10:41,779
A STENCH IN THE NOSTRILS
OF AMERICAN JOURNALISM.

1457
01:10:41,862 --> 01:10:44,407
JUST A MINUTE, OX.
I'M ON A TABLOID,
REMEMBER?

1458
01:10:44,491 --> 01:10:46,825
I'M SORRY, MR. MOXLEY.
NO OFFENSE MEANT.

1459
01:10:46,909 --> 01:10:49,870
BECAUSE YOU'RE ON THE
GAZETTE,
YOU NEEDN'T
HIGH-HAT THE REST OF US.

1460
01:10:49,954 --> 01:10:52,290
HE DIDN'T MEAN ANYTHING.
YOU KEEP OUT OF THIS.

1461
01:10:52,374 --> 01:10:56,544
HE CAN SHOOT OFF ALL HE LIKES
ABOUT ROBERTS, BUT LEAVE
THE REST OF US OUT OF IT.

1462
01:10:56,628 --> 01:10:58,796
I APOLOGIZE,
MR. MOXLEY.

1463
01:10:58,879 --> 01:11:01,508
THERE. YOU SEE?
THAT STRAIGHTENS
EVERYTHING OUT.

1464
01:11:01,591 --> 01:11:03,258
COME ON, FELLAS.
LET'S HAVE A DRINK.

1465
01:11:03,343 --> 01:11:05,637
HOW ABOUT YOU, MR. OX?
WILL YOU HAVE A DRINK?

1466
01:11:05,720 --> 01:11:07,763
NOT RIGHT NOW, PLEASE,

1467
01:11:07,846 --> 01:11:10,891
I GUESS I'M THE ONLY ONE.
COME ON. WE'RE GONNA START
THE FIREWORKS.

1468
01:11:13,060 --> 01:11:15,563
WELL, LET'S GET
THIS THING OVER.
COME ON, SCRIBES.

1469
01:11:15,647 --> 01:11:17,691
LET'S GO DOWN
TO THE BULLRING.

1470
01:11:37,711 --> 01:11:39,713
THERE'S GOBEL
AND HIS GANG
SITTING OVER THERE.

1471
01:11:39,795 --> 01:11:42,172
ROBERTS IS
TAKING AN AWFUL CHANCE
COMING HERE TONIGHT.

1472
01:11:42,256 --> 01:11:45,134
HE'S BEEN THROWN OUT OF
BETTER PLACES THAN THIS.

1473
01:11:45,217 --> 01:11:49,304
HE TOLD ME TO KEEP
MY DIRTY NOSE OUT
OF HIS BUSINESS.

1474
01:11:49,389 --> 01:11:52,350
HE TOLD THAT TO ME.

1475
01:11:52,434 --> 01:11:55,353
SAY, WHY DON'T YOU
FELLAS CIRCULATE, SEE IF
HE'S AROUND SOMEWHERE?

1476
01:11:55,437 --> 01:11:56,396
O.K.

1477
01:11:56,479 --> 01:11:58,188
AND BE CAREFUL.

1478
01:11:58,272 --> 01:12:01,150
THIS IS ONE TIME
I DON'T WANT YOU
TO MISS.

1479
01:12:12,412 --> 01:12:13,328
PRESS.

1480
01:12:13,413 --> 01:12:15,205
O.K., MADAM.

1481
01:12:15,289 --> 01:12:17,751
WHERE'S THE PRESSROOM?
MEZZANINE FLOOR, UPSTAIRS.

1482
01:12:21,629 --> 01:12:22,880
[APPLAUSE]

1483
01:12:24,382 --> 01:12:26,468
WAIT A MINUTE.
I WANNA TELL YOU SOMETHING.

1484
01:12:26,551 --> 01:12:29,845
I'M SURE MOST OF YOU KNOW
THAT THERE'S A CERTAIN
SO-CALLED COLUMNIST

1485
01:12:29,928 --> 01:12:33,057
WHO HAS BOASTED
THAT HE WOULD APPEAR HERE,
APPEAR HERE THIS EVENING,

1486
01:12:33,140 --> 01:12:35,477
IN SPITE OF THE MEASURES
TAKEN TO PREVENT HIM.

1487
01:12:35,560 --> 01:12:39,104
YOU KNOW, OUR PURPOSE IN
REFUSING THIS PERSON ADMISSION

1488
01:12:39,188 --> 01:12:41,899
WAS TO TRY AND PROTECT
OUR PATRONS

1489
01:12:41,982 --> 01:12:44,902
FROM THE PRYING EYES AND EARS
OF THIS SCANDALMONGER

1490
01:12:44,985 --> 01:12:47,988
AND TO SEE IF WE COULDN'T
PROVIDE ONE SPOT IN THIS CITY

1491
01:12:48,072 --> 01:12:50,282
WHERE THEY MIGHT FEEL SAFE
FROM HIS UNWELCOME ATTENTIONS.

1492
01:12:50,365 --> 01:12:52,868
[APPLAUSE]

1493
01:12:52,951 --> 01:12:55,413
AL, YOU'RE
IN TERRIBLE DANGER.
GOBEL'S PLANNING TO GET YOU.

1494
01:12:55,497 --> 01:12:56,831
OH, NOBODY'S
GOING TO GET ME.

1495
01:12:56,914 --> 01:12:59,208
FRANKIE WELLS SAID HE WAS.

1496
01:12:59,291 --> 01:13:01,168
I DON'T CARE
WHAT HE SAID.

1497
01:13:01,251 --> 01:13:04,088
PLEASE, COME ON!
YOU THINK IT'S BUNNY HARMON.
WELL, IT ISN'T.

1498
01:13:04,171 --> 01:13:07,049
ARE YOU TRYING TO
SPOIL ALL THIS?
I'M GOING DOWN.

1499
01:13:07,132 --> 01:13:09,927
I'M HAPPY TO SAY
THAT OUR EFFORTS
HAVE PROVED SUCCESSFUL.

1500
01:13:10,010 --> 01:13:13,431
IN THE PRESENCE OF
SO MANY DISTINGUISHED GUESTS,

1501
01:13:13,515 --> 01:13:17,602
ALLOW ME TO CALL ATTENTION
TO ONE CONSPICUOUS ABSENTEE.

1502
01:13:17,685 --> 01:13:20,354
WHERE IS THIS PUBLIC NUISANCE
WHO ANNOUNCED HE WOULD BE HERE

1503
01:13:20,438 --> 01:13:23,107
IN SPITE OF ANYTHING
WE COULD DO TO KEEP HIM OUT?

1504
01:13:23,190 --> 01:13:26,611
LADIES AND GENTLEMEN, I ASK YOU,
WHERE IS ALVIN ROBERTS?

1505
01:13:26,694 --> 01:13:29,781
DON'T WORRY, FOLKS.
HE WON'T BE HERE.
SO HAVE A GOOD TIME.

1506
01:13:29,864 --> 01:13:32,032
THE PLACE IS YOURS.
YOU'RE ALWAYS WELCOME--

1507
01:13:32,116 --> 01:13:35,035
LADIES AND GENTLEMEN...

1508
01:13:35,119 --> 01:13:37,079
LADIES AND GENTLEMEN,
ALLOW ME TO INTRODUCE

1509
01:13:37,162 --> 01:13:40,708
MR. ALVIN ROBERTS HIMSELF
IN PERSON AS ADVERTISED.

1510
01:13:40,792 --> 01:13:41,876
[LAUGHTER]

1511
01:13:47,172 --> 01:13:48,132
[PEOPLE SCREAMING]

1512
01:13:54,764 --> 01:13:58,100
HELLO? HELLO? OPERATOR?

1513
01:13:58,183 --> 01:14:00,936
THIS IS
THE CHATEAU HARMONY.
SEND AN AMBULANCE QUICK.

1514
01:14:01,019 --> 01:14:03,939
INFORMATION, THIS IS
ALVIN ROBERTS' MOTHER.

1515
01:14:04,022 --> 01:14:06,776
GIVE ME THE NUMBER
OF CHATEAU HARMONY--
QUICK, PLEASE!

1516
01:14:06,860 --> 01:14:08,653
[EVERYONE TALKING]

1517
01:14:12,490 --> 01:14:14,283
COME ON! BACK UP!

1518
01:14:15,827 --> 01:14:17,787
COME ON. GIVE HIM AIR.

1519
01:14:17,871 --> 01:14:19,581
COME ON!

1520
01:14:24,168 --> 01:14:26,044
[SIREN]

1521
01:14:32,968 --> 01:14:34,386
PENNSYLVANIA 6-4000.

1522
01:14:34,469 --> 01:14:36,514
DRY DOCK,
4-9800.

1523
01:14:36,598 --> 01:14:38,600
HELLO, CITY EDITOR.
GIVE ME THE CITY DESK.

1524
01:14:38,683 --> 01:14:40,309
THIS IS BOLDT.
THIS IS DICK COOPER.

1525
01:14:40,392 --> 01:14:42,186
THERE WAS SHOOTING JUST NOW.

1526
01:14:42,269 --> 01:14:44,313
THERE'S BEEN A SHOOTING
UP AT BUNNY HARMON'S
NIGHTCLUB.

1527
01:14:44,396 --> 01:14:47,525
HAVEN'T GOT THE DETAILS.
IT LOOKS LIKE THEY
GOT ALVIN ROBERTS.

1528
01:14:48,860 --> 01:14:50,862
YOU CAN'T GO IN THERE.
WHO SAYS?

1529
01:14:50,945 --> 01:14:53,238
WHO ARE YOU?
I'M THE GUY THEY SHOT AT.

1530
01:14:53,322 --> 01:14:55,490
THEN WHO'S HE?
HE'S THE GUY THEY HIT.

1531
01:14:57,117 --> 01:14:58,493
LET ME UP!

1532
01:14:58,578 --> 01:14:59,995
YOU'D BETTER LAY STILL.

1533
01:15:00,078 --> 01:15:02,624
I'M ALRIGHT,
I TELL YOU!

1534
01:15:02,707 --> 01:15:05,375
ARE YOU O.K., MOX?
GUESS SO. I CAN STILL BREATHE.

1535
01:15:05,459 --> 01:15:07,837
HOW IS HE, DOC?
JUST A FLESH WOUND, NOT SERIOUS.

1536
01:15:07,921 --> 01:15:10,214
I COULD HAVE TOLD HIM THAT.
YOU'RE LUCKY, MOX.

1537
01:15:10,297 --> 01:15:15,135
THEY MISSED YOU AND GOT ME.
ROTTEN MARKSMANSHIP,
I CALL IT.

1538
01:15:15,219 --> 01:15:16,804
ANOTHER VICTIM.
WHAT HAPPENED TO YOU?

1539
01:15:16,888 --> 01:15:19,264
SOMEBODY HIT ME WITH A BOTTLE.
IT'S AN ILL WIND.

1540
01:15:19,348 --> 01:15:21,350
YOU DIRTY SNEAK--
YOU STARTED ALL
THIS TROUBLE.

1541
01:15:21,433 --> 01:15:24,436
I'VE BEEN LAYING OFF
A LONG TIME ABOUT
YOU AND THAT BLONDE.

1542
01:15:24,519 --> 01:15:25,855
I WAS ONLY
CARRYING OUT ORDERS.

1543
01:15:25,939 --> 01:15:27,815
READ MY COLUMN
DAY AFTER TOMORROW.

1544
01:15:27,899 --> 01:15:30,484
DON'T PRINT ABOUT THAT,
I'LL GIVE YOU A TIP
ABOUT HARMON.

1545
01:15:30,568 --> 01:15:32,152
WHAT?
HARMON'S NOT HIS NAME.

1546
01:15:32,236 --> 01:15:34,529
HIS RIGHT NAME
IS BUNN--B-U-N-N.
HERMAN BUNN.

1547
01:15:34,614 --> 01:15:36,031
[EVERYONE]
HERMAN BUNN?

1548
01:15:36,114 --> 01:15:38,075
HE TURNED THAT AROUND
TO MAKE BUNNY HARMON.

1549
01:15:38,158 --> 01:15:40,202
HE COMES FROM TIDIOUTE,
PENNSYLVANIA.
I KNOW HIS FAMILY.

1550
01:15:40,285 --> 01:15:41,913
YOU GUYS LAY OFF.
THAT'S MINE.

1551
01:15:41,996 --> 01:15:44,039
WHO IS THIS BLONDE
IN HIS LIFE?

1552
01:15:44,122 --> 01:15:46,333
HOW DO I KNOW?
WHO'S YOURS?
EVERY MAN'S GOT ONE.

1553
01:15:47,835 --> 01:15:49,169
WHERE'S THE GUY
THIS FELLOW PLUGGED?

1554
01:15:49,253 --> 01:15:51,255
HE'S THERE.
I NEVER DID. YOU FRAMED ME.

1555
01:15:51,338 --> 01:15:53,298
THAT'LL TEACH YOU
TO SAY I FRAMED YOU.

1556
01:15:53,382 --> 01:15:56,051
IT'S HARMON'S DIRTY WORK,
TO KEEP ME OUT OF
HIS NIGHTCLUB.

1557
01:15:56,134 --> 01:15:59,639
OH, YEAH? WE'VE BEEN
EXPECTING
SOMETHING LIKE THIS.

1558
01:15:59,722 --> 01:16:01,808
SO YOU COULDN'T EVEN
HIT THE RIGHT GUY?

1559
01:16:01,891 --> 01:16:03,768
COME ON.
GET OUT OF HERE.

1560
01:16:03,851 --> 01:16:05,937
HELLO, BILL. WHO'S THE VICTIM?
GEORGE MOXLEY, REPORTER.

1561
01:16:06,020 --> 01:16:07,521
WELL, DARNED
IF IT AIN'T.
HELLO, GEORGE.

1562
01:16:07,605 --> 01:16:09,481
HELLO, JIM.

1563
01:16:09,564 --> 01:16:12,944
YOU
<i> WOULD </i>
PICK ON
A FRIEND OF MINE,
WOULDN'T YOU?

1564
01:16:13,027 --> 01:16:14,236
DO YOU
RECOGNIZE HIM?

1565
01:16:14,319 --> 01:16:16,196
I WON'T
IF YOU KEEP THAT UP.

1566
01:16:16,280 --> 01:16:17,615
WHAT'S HIS NAME?

1567
01:16:17,699 --> 01:16:20,158
LOUIE DEMARCO--ONE
OF SAM GOBEL'S BOYS.

1568
01:16:20,242 --> 01:16:21,201
COME ON.

1569
01:16:22,954 --> 01:16:24,706
AND GET THIS.

1570
01:16:24,789 --> 01:16:26,708
ROBERTS, WHEN INTERVIEWED
AFTER THE SHOOTING,
EXONERATED HARMON

1571
01:16:26,791 --> 01:16:28,876
AND LAID THE ENTIRE BLAME
ON SAM GOBEL,

1572
01:16:28,960 --> 01:16:32,839
WHOM, HE SAID, VISITED HIM
EARLIER IN THE WEEK AND
MADE THREATS AS TO WHAT--HUH?

1573
01:16:32,922 --> 01:16:36,550
YEAH. BE SURE
AND MENTION MY NAME.

1574
01:16:36,634 --> 01:16:39,679
THAT GUY GOBEL--
AFTER ME PROMISING TO LAY
OFF THE DOROTHY LANE STORY?

1575
01:16:39,762 --> 01:16:43,140
IF IT WASN'T FOR HER,
I'D DRAG THAT RAT FROM
ONE END TO ANOTHER.

1576
01:16:43,223 --> 01:16:44,809
YOU CAN'T.
SOMEDAY I'LL GET SOMETHING.

1577
01:16:44,892 --> 01:16:46,184
THEN YOU'LL SEE
A COLUMN.

1578
01:16:46,268 --> 01:16:48,312
BUT YOU PROMISED
TO GIVE IT UP.

1579
01:16:48,395 --> 01:16:50,188
GIVE WHAT UP?
THE COLUMN.

1580
01:16:50,272 --> 01:16:51,941
WHEN DID I?

1581
01:16:52,025 --> 01:16:54,068
JUST BEFORE YOU WENT OUT.
DIDN'T HE, MRS. ROBERTS?

1582
01:16:54,151 --> 01:16:56,988
GIVE UP THE COLUMN
AT A TIME LIKE THIS?

1583
01:16:57,071 --> 01:16:59,323
MY FIRST HUNCH WAS RIGHT.
YOU NEVER MEANT IT.

1584
01:16:59,406 --> 01:17:01,743
I PROMISED, HUH?
YOU KNOW YOU DID.

1585
01:17:01,826 --> 01:17:05,329
BUT, GLAD, IF I DO,
HOW AM I GOING
TO GET EVEN WITH GOBEL?

1586
01:17:05,412 --> 01:17:08,206
SAM GOBEL JUST GOT PLUGGED
IN FRONT OF THE CHATEAU HARMONY.

1587
01:17:08,290 --> 01:17:10,167
SAM GOBEL--
HE'S DEADER
THAN A DOORNAIL.

1588
01:17:10,250 --> 01:17:12,502
THEY GOT HIM, HUH?
RIGHT THROUGH THE BELLY.

1589
01:17:12,586 --> 01:17:17,091
JUST MY LUCK. WOULDN'T A
GUY LIKE GOBEL GET HIMSELF
SHOT BEFORE I CAN GET HIM?

1590
01:17:23,638 --> 01:17:24,932
YOU DID IT, HUH?
SURE.

1591
01:17:25,016 --> 01:17:26,516
WHY?

1592
01:17:26,600 --> 01:17:28,978
I JUST TALKED TO HIM,
HE SAID IT WASN'T HIS.

1593
01:17:29,062 --> 01:17:31,814
WELL, NOW IT WON'T BE HIS.
GIVE ME THAT.

1594
01:17:35,400 --> 01:17:40,155
YOU DIDN'T DO IT, KNOW NOTHING
ABOUT IT. GET OUT OF TOWN TILL
I TELL YOU TO COME BACK.

1595
01:17:40,238 --> 01:17:42,657
WHAT'S THE USE?
I GOT HIM.
NOW LET THEM GET ME.

1596
01:17:42,742 --> 01:17:44,326
THEY MUSTN'T.
WE'LL GET HER OUT.

1597
01:17:44,409 --> 01:17:45,745
YOU STAY OUT OF THIS.

1598
01:17:45,828 --> 01:17:48,413
NO. THIS IS
ONE THING I'M IN ON.

1599
01:17:48,497 --> 01:17:50,041
JUST A MINUTE.

1600
01:17:50,124 --> 01:17:52,085
I THOUGHT YOU
MIGHT BE HERE.
COME ON.

1601
01:17:52,167 --> 01:17:54,169
WHAT FOR?
DON'T TELL ME YOU DON'T KNOW.

1602
01:17:54,252 --> 01:17:56,296
I SUPPOSE SHE WAS HERE
WHEN GOBEL WAS SHOT.

1603
01:17:56,380 --> 01:17:57,799
SURE, SHE WAS.

1604
01:17:57,882 --> 01:18:00,258
THAT'S FUNNY.
I SAW HER DO IT,
DIDN'T I?

1605
01:18:00,342 --> 01:18:02,929
DON'T SAY A THING TO
ANYBODY EXCEPT A LAWYER.

1606
01:18:03,012 --> 01:18:04,972
I'LL GET
CLARENCE DARROW
IN THE MORNING.

1607
01:18:05,056 --> 01:18:07,599
I DON'T CARE WHAT HAPPENS.
YOU GOT TO CARE.

1608
01:18:07,682 --> 01:18:12,187
I'LL GET YOU OUT OF IT.
A JOB LIKE THIS, SHE OUGHT
TO GET THE KEY TO THE CITY.

1609
01:18:12,270 --> 01:18:15,232
I AIN'T SAYING SHE
OUGHTN'T, BUT I CAN'T
GIVE IT TO HER.

1610
01:18:15,315 --> 01:18:16,650
GOOD-BYE, KID.
YOU'LL BE ALRIGHT.

1611
01:18:16,734 --> 01:18:17,985
I GOT IT.

1612
01:18:21,989 --> 01:18:24,033
COLUMBUS 2-2000.
WHAT ARE YOU GONNA DO?

1613
01:18:24,117 --> 01:18:28,203
GET HER OFF. THE COLUMN GOT
HER INTO THIS MESS, IT'S GONNA
GET HER OUT OF IT.

1614
01:18:28,286 --> 01:18:30,957
HOW?
SPILLING THE DIRT ABOUT GOBEL.

1615
01:18:31,040 --> 01:18:32,707
YOU STILL WANNA BE ON IT?
SURE.

1616
01:18:32,792 --> 01:18:35,293
THAT-A GIRL.
GIVE ME MISS STEVENS, PLEASE.

1617
01:18:35,377 --> 01:18:39,381
WHEN I GET THROUGH,
I'LL BET NO JURY IN THE WORLD
WOULD INDICT HER.

1618
01:18:39,464 --> 01:18:41,968
[TELEPHONE RINGS]

1619
01:18:42,051 --> 01:18:43,052
HELLO.

1620
01:18:43,136 --> 01:18:44,846
HELLO, STEVENS?
YOU READY? GOOD.

1621
01:18:44,929 --> 01:18:46,471
PUT THIS RIGHT
AT THE TOP.

1622
01:18:46,555 --> 01:18:48,557
DOROTHY LANE,
WHO PULLED A FRANKIE
AND JOHNNY

1623
01:18:48,640 --> 01:18:51,643
AT THE CHATEAU HARMONY
LAST NIGHT, HAD PLENTY
OF REASON TO SHOOT.

1624
01:18:51,726 --> 01:18:56,065
THE VERY LATE SAM GOBEL
WAS HER MAN,
AND HE DONE HER WRONG.

1625
01:18:56,149 --> 01:18:58,067
WATCH TOMORROW'S COLUMN
FOR THE LOWDOWN

1626
01:18:58,151 --> 01:19:00,402
ON WHY SHE CAN NEVER
BE CONVICTED.

1627
01:19:00,485 --> 01:19:02,529
AND GET THIS, STEVIE.

1628
01:19:02,612 --> 01:19:06,616
THE ALVIN GLADYS PRICE
ROBERTSES,

1629
01:19:06,700 --> 01:19:09,078
WHO ARE TO BE MARRIED
AT CITY HALL THIS MORNING,

1630
01:19:09,162 --> 01:19:11,038
ANTICIPATE
A BLESSED EVENT.

1631
01:19:11,122 --> 01:19:12,497
ALVIN!

1632
01:19:12,581 --> 01:19:14,708
NO KIDDING! WHEN?

1633
01:19:14,792 --> 01:19:18,378
DASH, DASH,
AS SOON AS POSSIBLE.